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- Institut de Recherche et Coordination Acoustique MusiqueFR33 papers
- Centre National de la Recherche ScientifiqueFR19 papers
- Sorbonne UniversitéFR15 papers
- Institut Systèmes Intelligents et de RobotiqueFR6 papers
- Centre de Recherche en Sciences et Technologies de l'Information et de la CommunicationFR3 papers
- Institut national de recherche en sciences et technologies du numériqueFR2 papers
- KTH Royal Institute of TechnologySE2 papers
- Sony Computer Science LaboratoriesJP2 papers
- Université de Reims Champagne-ArdenneFR2 papers
- ACT Government1 paper
- Ben-Gurion University of the NegevIL1 paper
- Bibliothèque Nationale de FranceFR1 paper
4 papers · 1 filter
Interagir avec un contenu opératique : le projet d'opéra virtuel interactif Virtualis
Alain Bonardi, Francis Rousseaux
In this article, we present the interactive opera project on CD-ROM Virtualis. This project includes a scientific dimension as well as artistic. It gave us the opportunity to desig…
Music-ripping: des pratiques qui provoquent la musicologie
Francis Rousseaux, Alain Bonardi
Out of the scope of the usual positions of computing in the field of music and musicology, one notices the emergence of human-computer systems that do exist by breaking off. Though…
How Do Interactive Virtual Operas Shift Relationships between Music, Text and Image?
Alain Bonardi, Francis Rousseaux
In this paper we present the new genre of interactive operas implemented on personal computers. They differ from traditional ones not only because they are virtual, but mainly beca…
Similarité en intension vs en extension : à la croisée de l'informatique et du théâtre
Alain Bonardi, Francis Rousseaux
Traditional staging is based on a formal approach of similarity leaning on dramaturgical ontologies and instanciation variations. Inspired by interactive data mining, that suggests…