80 citations
- Sciences et Technologies de la Musique et du SonFR28 papers
- Centre National de la Recherche ScientifiqueFR15 papers
- Sorbonne UniversitéFR11 papers
- Institut Systèmes Intelligents et de RobotiqueFR6 papers
- KTH Royal Institute of TechnologySE2 papers
- University of PaduaIT2 papers
- ACT Government1 paper
- Ben-Gurion University of the NegevIL1 paper
- Campo Arqueologico de MertolaPT1 paper
- Centre de Recherche en InformatiqueFR1 paper
- Delft University of TechnologyNL1 paper
- Fukuoka UniversityJP1 paper
38 papers
AMACA: Astronomy education with a Multi-sensory, Accessible, and Circular Approach
Rachele Toniolo, Anita Zanella, Andrea Cottinelli +4
The AMACA project (Astronomy education with a Multi-sensory, Accessible, and Circular Approach) develops multi-sensory activities for accessible education and engagement in astrono…
Gelina: Unified Speech and Gesture Synthesis via Interleaved Token Prediction
Téo Guichoux, Théodor Lemerle, Shivam Mehta +5
Human communication is multimodal, with speech and gestures tightly coupled, yet most computational methods for generating speech and gestures synthesize them sequentially, weakeni…
Learning Relationships Between Separate Audio Tracks for Creative Applications
Balthazar Bujard, Jérôme Nika, Fédéric Bevilacqua +1
This paper presents the first step in a research project situated within the field of musical agents. The objective is to achieve, through training, the tuning of the desired music…
Tipping Points, Pulse Elasticity and Tonal Tension: An Empirical Study on What Generates Tipping Points
Canishk Naik, Elaine Chew
Tipping points are moments of change that characterise crucial turning points in a piece of music. This study presents a first step towards quantitatively and systematically descri…
DJ Mix Transcription with Multi-Pass Non-Negative Matrix Factorization
Étienne Paul André, Dominique Fourer, Diemo Schwarz
DJ mix transcription is a crucial step towards DJ mix reverse engineering, which estimates the set of parameters and audio effects applied to a set of existing tracks to produce a…
Unsupervised Composable Representations for Audio
Giovanni Bindi, Philippe Esling
Current generative models are able to generate high-quality artefacts but have been shown to struggle with compositional reasoning, which can be defined as the ability to generate…