most citedStringesthesia: Dynamically Shifting Musical Agency Between Audience and Performer Based on Trust in an Interactive and Improvised Performance

3 citations · 3 across the 5 of their papers we have counts for

collaborators

5 papers

cs.HC2026

Studying Mobile Spatial Collaboration across Video Calls and Augmented Reality

Rishi Vanukuru, Krithik Ranjan, Ada Yi Zhao +6

Mobile video calls are widely used to share information about real-world objects and environments with remote collaborators. While these calls provide valuable visual context in re…

cs.HC2026

Effects of Limited Field of View on Musical Collaboration Experience with Avatars in Extended Reality

Suibi Che-Chuan Weng, Torin Hopkins, Shih-Yu Ma +2

During musical collaboration, visual cues are essential for communication between musicians. Extended Reality (XR) applications, often used with head-mounted displays like Augmente…

cs.HC2026

MR-DAW: Towards Collaborative Digital Audio Workstations in Mixed Reality

Torin Hopkins, Shih-Yu Ma, Suibi Che-Chuan Weng +3

Digital Audio Workstations (DAWs) are central to modern music production but often encumber the musician's workflow, tethering them to a desk and hindering natural interaction with…

cs.HC2023★ 3 cited

Stringesthesia: Dynamically Shifting Musical Agency Between Audience and Performer Based on Trust in an Interactive and Improvised Performance

Torin Hopkins, Emily Doherty, Netta Ofer +5

This paper introduces Stringesthesia, an interactive and improvised performance paradigm. Stringesthesia uses real-time neuroimaging to connect performers and audiences, enabling d…

cs.HC2023

DualStream: Spatially Sharing Selves and Surroundings using Mobile Devices and Augmented Reality

Rishi Vanukuru, Suibi Che-Chuan Weng, Krithik Ranjan +4

In-person human interaction relies on our spatial perception of each other and our surroundings. Current remote communication tools partially address each of these aspects. Video c…