32 citations · 45 across the 10 of their papers we have counts for
8 papers · 1 filter
Rigid-Body Sound Synthesis with Differentiable Modal Resonators
Rodrigo Diaz, Ben Hayes, Charalampos Saitis +2
Physical models of rigid bodies are used for sound synthesis in applications from virtual environments to music production. Traditional methods such as modal synthesis often rely o…
Deep Embeddings for Robust User-Based Amateur Vocal Percussion Classification
Alejandro Delgado, Emir Demirel, Vinod Subramanian +2
Vocal Percussion Transcription (VPT) is concerned with the automatic detection and classification of vocal percussion sound events, allowing music creators and producers to sketch…
Learning Models for Query by Vocal Percussion: A Comparative Study
Alejandro Delgado, SkoT McDonald, Ning Xu +2
The imitation of percussive sounds via the human voice is a natural and effective tool for communicating rhythmic ideas on the fly. Thus, the automatic retrieval of drum sounds usi…
Transfer Learning for Piano Sustain-Pedal Detection
Beici Liang, György Fazekas, Mark Sandler
Detecting piano pedalling techniques in polyphonic music remains a challenging task in music information retrieval. While other piano-related tasks, such as pitch estimation and on…
Spectral Visibility Graphs: Application to Similarity of Harmonic Signals
Delia Fano Yela, Dan Stowell, Mark Sandler
Graph theory is emerging as a new source of tools for time series analysis. One promising method is to transform a signal into its visibility graph, a representation which captures…
Does k Matter? k-NN Hubness Analysis for Kernel Additive Modelling Vocal Separation
Delia Fano Yela, Dan Stowell, Mark Sandler
Kernel Additive Modelling (KAM) is a framework for source separation aiming to explicitly model inherent properties of sound sources to help with their identification and separatio…