224 citations · 650 across the 25 of their papers we have counts for
28 papers
Rigid-Body Sound Synthesis with Differentiable Modal Resonators
Rodrigo Diaz, Ben Hayes, Charalampos Saitis +2
Physical models of rigid bodies are used for sound synthesis in applications from virtual environments to music production. Traditional methods such as modal synthesis often rely o…
DDX7: Differentiable FM Synthesis of Musical Instrument Sounds
Franco Caspe, Andrew McPherson, Mark Sandler
FM Synthesis is a well-known algorithm used to generate complex timbre from a compact set of design primitives. Typically featuring a MIDI interface, it is usually impractical to c…
Deep Embeddings for Robust User-Based Amateur Vocal Percussion Classification
Alejandro Delgado, Emir Demirel, Vinod Subramanian +2
Vocal Percussion Transcription (VPT) is concerned with the automatic detection and classification of vocal percussion sound events, allowing music creators and producers to sketch…
Learning Models for Query by Vocal Percussion: A Comparative Study
Alejandro Delgado, SkoT McDonald, Ning Xu +2
The imitation of percussive sounds via the human voice is a natural and effective tool for communicating rhythmic ideas on the fly. Thus, the automatic retrieval of drum sounds usi…
Transfer Learning for Piano Sustain-Pedal Detection
Beici Liang, György Fazekas, Mark Sandler
Detecting piano pedalling techniques in polyphonic music remains a challenging task in music information retrieval. While other piano-related tasks, such as pitch estimation and on…
A New Dataset for Amateur Vocal Percussion Analysis
Alejandro Delgado, SKoT McDonald, Ning Xu +1
The imitation of percussive instruments via the human voice is a natural way for us to communicate rhythmic ideas and, for this reason, it attracts the interest of music makers. Sp…