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cs.SD2026

TuneJury: An Open Metric for Improving Music Generation Preference Alignment

Yonghyun Kim, Junwon Lee, Haiwen Xia +5

We introduce TuneJury, an open, instance-level pairwise reward model for text-to-music that predicts a music preference score from a text prompt and an audio clip. The released che…

cs.SD2026

Break-the-Beat! Controllable MIDI-to-Drum Audio Synthesis

Shuyang Cui, Zhi Zhong, Qiyu Wu +9

Current methods for creating drum loop audio in digital music production, such as using one-shot samples or resampling, often demand non-trivial efforts of creators. While recent g…

cs.SD2026

LLM2Fx-Tools: Tool Calling For Music Post-Production

Seungheon Doh, Junghyun Koo, Marco A. Martínez-Ramírez +5

This paper introduces LLM2Fx-Tools, a multimodal tool-calling framework that generates executable sequences of audio effects (Fx-chain) for music post-production. LLM2Fx-Tools uses…

cs.SD2025

Improving Inference-Time Optimisation for Vocal Effects Style Transfer with a Gaussian Prior

Chin-Yun Yu, Marco A. Martínez-Ramírez, Junghyun Koo +3

Style Transfer with Inference-Time Optimisation (ST-ITO) is a recent approach for transferring the applied effects of a reference audio to an audio track. It optimises the effect p…

cs.SD2025

Large-Scale Training Data Attribution for Music Generative Models via Unlearning

Woosung Choi, Junghyun Koo, Kin Wai Cheuk +7

This paper explores the use of unlearning methods for training data attribution (TDA) in music generative models trained on large-scale datasets. TDA aims to identify which specifi…

cs.SD2025

DiffVox: A Differentiable Model for Capturing and Analysing Vocal Effects Distributions

Chin-Yun Yu, Marco A. Martínez-Ramírez, Junghyun Koo +4

This study introduces a novel and interpretable model, DiffVox, for matching vocal effects in music production. DiffVox, short for ``Differentiable Vocal Fx", integrates parametric…