17 papers
TuneJury: An Open Metric for Improving Music Generation Preference Alignment
Yonghyun Kim, Junwon Lee, Haiwen Xia +5
We introduce TuneJury, an open, instance-level pairwise reward model for text-to-music that predicts a music preference score from a text prompt and an audio clip. The released che…
MusTBENCH: Benchmarking and Advancing Temporal Grounding in Music LLMs
Daeyong Kwon, Qiyu Wu, Shinobu Kuriya +6
Recent Large Audio-Language Models (LALMs) have demonstrated promising abilities in understanding musical content. However, whether their responses are grounded in the correct temp…
Break-the-Beat! Controllable MIDI-to-Drum Audio Synthesis
Shuyang Cui, Zhi Zhong, Qiyu Wu +9
Current methods for creating drum loop audio in digital music production, such as using one-shot samples or resampling, often demand non-trivial efforts of creators. While recent g…
Concept-TRAK: Understanding how diffusion models learn concepts through concept-level attribution
Yonghyun Park, Chieh-Hsin Lai, Satoshi Hayakawa +7
While diffusion models excel at image generation, their growing adoption raises critical concerns about copyright issues and model transparency. Existing attribution methods identi…
LLM2Fx-Tools: Tool Calling For Music Post-Production
Seungheon Doh, Junghyun Koo, Marco A. MartÃnez-RamÃrez +5
This paper introduces LLM2Fx-Tools, a multimodal tool-calling framework that generates executable sequences of audio effects (Fx-chain) for music post-production. LLM2Fx-Tools uses…
Automatic Music Mixing using a Generative Model of Effect Embeddings
Eloi Moliner, Marco A. MartÃnez-RamÃrez, Junghyun Koo +5
Music mixing involves combining individual tracks into a cohesive mixture, a task characterized by subjectivity where multiple valid solutions exist for the same input. Existing au…