1 citations · 2 across the 13 of their papers we have counts for
13 papers · 1 filter
Agentic Music Post-Production
Jaywon Koo, Junghyun Koo, Marco A. Martinez-Ramirez +5
We introduce MixAgent, an agentic pipeline for music post-production that follows the workflow of audio engineers to build interpretable and editable mixing plans guided by a refer…
Training Music Sample Identification Models on Real Sample Pairs
R. Oguz Araz, Joan Serrà, Xavier Lizarraga-Seijas +4
Sample identification (SI) is the task of matching pairs of tracks, where one track is created by musically transforming an element of the other. In the absence of sample annotatio…
On the Human and Computer Alignment of Attribute-Based Music Matches
Roser Batlle-Roca, Woosung Choi, Joan Serrà +5
Recent advances in generative AI are raising ethical concerns regarding the originality of generated content and the potential replication of training data, with further implicatio…
Exploring the Design Space of Representation Learning for Audio Transformations
Sungho Lee, Marco Martínez-Ramírez, Junghyun Koo +3
Neural audio representation learning has enabled a range of content-oriented applications, but the resulting features remain limited for tasks involving audio processing. Furthermo…
Unified Music Identification for Tracks and Versions
R. Oguz Araz, Joan Serrà, Yuki Mitsufuji +2
Given a music database, track identification (TI) retrieves the exact track matching an audio excerpt, whereas version identification (VI) retrieves its musical versions. Tradition…
Woosh: A Sound Effects Foundation Model
Gaëtan Hadjeres, Marc Ferras, Khaled Koutini +7
The audio research community depends on open generative models as foundational tools for building novel approaches and establishing baselines. In this report, we present Woosh, Son…
LLM2Fx-Tools: Tool Calling For Music Post-Production
Seungheon Doh, Junghyun Koo, Marco A. Martínez-Ramírez +5
This paper introduces LLM2Fx-Tools, a multimodal tool-calling framework that generates executable sequences of audio effects (Fx-chain) for music post-production. LLM2Fx-Tools uses…
Automatic Music Sample Identification with Multi-Track Contrastive Learning
Alain Riou, Joan Serrà, Yuki Mitsufuji
Sampling, the technique of reusing pieces of existing audio tracks to create new music content, is a very common practice in modern music production. In this paper, we tackle the c…
Attribution-by-design: Ensuring Inference-Time Provenance in Generative Music Systems
Fabio Morreale, Wiebke Hutiri, Joan Serrà +2
The rise of AI-generated music is diluting royalty pools and revealing structural flaws in existing remuneration frameworks, challenging the well-established artist compensation sy…
Leveraging Whisper Embeddings for Audio-based Lyrics Matching
Eleonora Mancini, Joan Serrà, Paolo Torroni +1
Audio-based lyrics matching can be an appealing alternative to other content-based retrieval approaches, but existing methods often suffer from limited reproducibility and inconsis…
Enhancing Neural Audio Fingerprint Robustness to Audio Degradation for Music Identification
R. Oguz Araz, Guillem Cortès-Sebastià, Emilio Molina +4
Audio fingerprinting (AFP) allows the identification of unknown audio content by extracting compact representations, termed audio fingerprints, that are designed to remain robust a…
Supervised contrastive learning from weakly-labeled audio segments for musical version matching
Joan Serrà, R. Oguz Araz, Dmitry Bogdanov +1
Detecting musical versions (different renditions of the same piece) is a challenging task with important applications. Because of the ground truth nature, existing approaches match…
Towards Assessing Data Replication in Music Generation with Music Similarity Metrics on Raw Audio
Roser Batlle-Roca, Wei-Hsiang Liao, Xavier Serra +2
Recent advancements in music generation are raising multiple concerns about the implications of AI in creative music processes, current business models and impacts related to intel…