1 citations · 1 across the 11 of their papers we have counts for
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Variable Bitrate Residual Vector Quantization for Audio Coding
Yunkee Chae, Woosung Choi, Yuhta Takida +8
Recent state-of-the-art neural audio compression models have progressively adopted residual vector quantization (RVQ). Despite this success, these models employ a fixed number of c…
GRAFX: An Open-Source Library for Audio Processing Graphs in PyTorch
Sungho Lee, Marco Martínez-Ramírez, Wei-Hsiang Liao +4
We present GRAFX, an open-source library designed for handling audio processing graphs in PyTorch. Along with various library functionalities, we describe technical details on the…
Wavespace: A Highly Explorable Wavetable Generator
Hazounne Lee, Kihong Kim, Sungho Lee +1
Wavetable synthesis generates quasi-periodic waveforms of musical tones by interpolating a list of waveforms called wavetable. As generative models that utilize latent representati…
Searching For Music Mixing Graphs: A Pruning Approach
Sungho Lee, Marco A. Martínez-Ramírez, Wei-Hsiang Liao +4
Music mixing is compositional -- experts combine multiple audio processors to achieve a cohesive mix from dry source tracks. We propose a method to reverse engineer this process fr…
Music Auto-Tagging with Robust Music Representation Learned via Domain Adversarial Training
Haesun Joung, Kyogu Lee
Music auto-tagging is crucial for enhancing music discovery and recommendation. Existing models in Music Information Retrieval (MIR) struggle with real-world noise such as environm…
DDD: A Perceptually Superior Low-Response-Time DNN-based Declipper
Jayeon Yi, Junghyun Koo, Kyogu Lee
Clipping is a common nonlinear distortion that occurs whenever the input or output of an audio system exceeds the supported range. This phenomenon undermines not only the perceptio…