activity
20232026
most citedSearching For Music Mixing Graphs: A Pruning Approach

1 citations · 1 across the 11 of their papers we have counts for

collaborators

12 papers

math.RA2026

A noetherian Hopf algebra has bijective antipode

Andrea Sciandra

We prove that a Hopf algebra over an arbitrary field has a bijective antipode if either its left or right regular module has finite uniform dimension. In particular, this solves Sk…

cs.SD2026

Exploring the Design Space of Representation Learning for Audio Transformations

Sungho Lee, Marco Martínez-Ramírez, Junghyun Koo +3

Neural audio representation learning has enabled a range of content-oriented applications, but the resulting features remain limited for tasks involving audio processing. Furthermo…

eess.AS2026

Fast Speech Foundation Model Distillation Using Interleaved Stacking

Eungbeom Kim, Kyogu Lee

Distilling a large speech foundation model (SFM) into an efficient student model has been successfully applied to low-resource environments. Although distillation reduces inference…

cs.SD2025

Reverse Engineering of Music Mixing Graphs with Differentiable Processors and Iterative Pruning

Sungho Lee, Marco Martínez-Ramírez, Wei-Hsiang Liao +4

Reverse engineering of music mixes aims to uncover how dry source signals are processed and combined to produce a final mix. We extend the prior works to reflect the compositional…

cs.SD2025

TokenSynth: A Token-based Neural Synthesizer for Instrument Cloning and Text-to-Instrument

Kyungsu Kim, Junghyun Koo, Sungho Lee +2

Recent advancements in neural audio codecs have enabled the use of tokenized audio representations in various audio generation tasks, such as text-to-speech, text-to-audio, and tex…

cs.SD2024

Variable Bitrate Residual Vector Quantization for Audio Coding

Yunkee Chae, Woosung Choi, Yuhta Takida +8

Recent state-of-the-art neural audio compression models have progressively adopted residual vector quantization (RVQ). Despite this success, these models employ a fixed number of c…

cs.SD2024

GRAFX: An Open-Source Library for Audio Processing Graphs in PyTorch

Sungho Lee, Marco Martínez-Ramírez, Wei-Hsiang Liao +4

We present GRAFX, an open-source library designed for handling audio processing graphs in PyTorch. Along with various library functionalities, we describe technical details on the…

cs.SD2024

Wavespace: A Highly Explorable Wavetable Generator

Hazounne Lee, Kihong Kim, Sungho Lee +1

Wavetable synthesis generates quasi-periodic waveforms of musical tones by interpolating a list of waveforms called wavetable. As generative models that utilize latent representati…

cs.SD2024★ 1 cited

Searching For Music Mixing Graphs: A Pruning Approach

Sungho Lee, Marco A. Martínez-Ramírez, Wei-Hsiang Liao +4

Music mixing is compositional -- experts combine multiple audio processors to achieve a cohesive mix from dry source tracks. We propose a method to reverse engineer this process fr…

cs.SD2024

Music Auto-Tagging with Robust Music Representation Learned via Domain Adversarial Training

Haesun Joung, Kyogu Lee

Music auto-tagging is crucial for enhancing music discovery and recommendation. Existing models in Music Information Retrieval (MIR) struggle with real-world noise such as environm…

eess.AS2024

DDD: A Perceptually Superior Low-Response-Time DNN-based Declipper

Jayeon Yi, Junghyun Koo, Kyogu Lee

Clipping is a common nonlinear distortion that occurs whenever the input or output of an audio system exceeds the supported range. This phenomenon undermines not only the perceptio…

cs.LG2023

Beat-Aligned Spectrogram-to-Sequence Generation of Rhythm-Game Charts

Jayeon Yi, Sungho Lee, Kyogu Lee

In the heart of "rhythm games" - games where players must perform actions in sync with a piece of music - are "charts", the directives to be given to players. We newly formulate ch…