238 citations · 654 across the 26 of their papers we have counts for
7 papers · 1 filter
Diversity-Rewarded CFG Distillation
Geoffrey Cideron, Andrea Agostinelli, Johan Ferret +5
Generative models are transforming creative domains such as music generation, with inference-time strategies like Classifier-Free Guidance (CFG) playing a crucial role. However, CF…
Gemma 2: Improving Open Language Models at a Practical Size
Gemma Team, Morgane Riviere, Shreya Pathak +195
In this work, we introduce Gemma 2, a new addition to the Gemma family of lightweight, state-of-the-art open models, ranging in scale from 2 billion to 27 billion parameters. In th…
BOND: Aligning LLMs with Best-of-N Distillation
Pier Giuseppe Sessa, Robert Dadashi, Léonard Hussenot +17
Reinforcement learning from human feedback (RLHF) is a key driver of quality and safety in state-of-the-art large language models. Yet, a surprisingly simple and strong inference-t…
WARP: On the Benefits of Weight Averaged Rewarded Policies
Alexandre Ramé, Johan Ferret, Nino Vieillard +7
Reinforcement learning from human feedback (RLHF) aligns large language models (LLMs) by encouraging their generations to have high rewards, using a reward model trained on human p…
Gemma: Open Models Based on Gemini Research and Technology
Gemma Team, Thomas Mesnard, Cassidy Hardin +105
This work introduces Gemma, a family of lightweight, state-of-the art open models built from the research and technology used to create Gemini models. Gemma models demonstrate stro…
RecurrentGemma: Moving Past Transformers for Efficient Open Language Models
Aleksandar Botev, Soham De, Samuel L Smith +59
We introduce RecurrentGemma, a family of open language models which uses Google's novel Griffin architecture. Griffin combines linear recurrences with local attention to achieve ex…
MusicRL: Aligning Music Generation to Human Preferences
Geoffrey Cideron, Sertan Girgin, Mauro Verzetti +11
We propose MusicRL, the first music generation system finetuned from human feedback. Appreciation of text-to-music models is particularly subjective since the concept of musicality…