activity
20172025
most citedMusic Demixing Challenge 2021

63 citations · 364 across the 60 of their papers we have counts for

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Showing 2022Show all

13 papers · 1 filter

cs.SD2022★ 3 cited

CLIPSep: Learning Text-queried Sound Separation with Noisy Unlabeled Videos

Hao-Wen Dong, Naoya Takahashi, Yuki Mitsufuji +2

Recent years have seen progress beyond domain-specific sound separation for speech or music towards universal sound separation for arbitrary sounds. Prior work on universal sound s…

eess.AS2022★ 1 cited

Unsupervised vocal dereverberation with diffusion-based generative models

Koichi Saito, Naoki Murata, Toshimitsu Uesaka +4

Removing reverb from reverberant music is a necessary technique to clean up audio for downstream music manipulations. Reverberation of music contains two categories, natural reverb…

eess.AS2022★ 1 cited

Music Mixing Style Transfer: A Contrastive Learning Approach to Disentangle Audio Effects

Junghyun Koo, Marco A. Martínez-Ramírez, Wei-Hsiang Liao +3

We propose an end-to-end music mixing style transfer system that converts the mixing style of an input multitrack to that of a reference song. This is achieved with an encoder pre-…

cs.CL2022★ 1 cited

ComFact: A Benchmark for Linking Contextual Commonsense Knowledge

Silin Gao, Jena D. Hwang, Saya Kanno +3

Understanding rich narratives, such as dialogues and stories, often requires natural language processing systems to access relevant knowledge from commonsense knowledge graphs. How…

cs.SD2022

DiffRoll: Diffusion-based Generative Music Transcription with Unsupervised Pretraining Capability

Kin Wai Cheuk, Ryosuke Sawata, Toshimitsu Uesaka +5

In this paper we propose a novel generative approach, DiffRoll, to tackle automatic music transcription (AMT). Instead of treating AMT as a discriminative task in which the model i…

cs.SD2022★ 4 cited

Hierarchical Diffusion Models for Singing Voice Neural Vocoder

Naoya Takahashi, Mayank Kumar, Singh +1

Recent progress in deep generative models has improved the quality of neural vocoders in speech domain. However, generating a high-quality singing voice remains challenging due to…

eess.AS2022★ 11 cited

Diffiner: A Versatile Diffusion-based Generative Refiner for Speech Enhancement

Ryosuke Sawata, Naoki Murata, Yuhta Takida +4

Although deep neural network (DNN)-based speech enhancement (SE) methods outperform the previous non-DNN-based ones, they often degrade the perceptual quality of generated outputs.…

cs.SD2022★ 4 cited

Robust One-Shot Singing Voice Conversion

Naoya Takahashi, Mayank Kumar Singh, Yuki Mitsufuji

Recent progress in deep generative models has improved the quality of voice conversion in the speech domain. However, high-quality singing voice conversion (SVC) of unseen singers…

cs.LG2022★ 1 cited

FP-Diffusion: Improving Score-based Diffusion Models by Enforcing the Underlying Score Fokker-Planck Equation

Chieh-Hsin Lai, Yuhta Takida, Naoki Murata +3

Score-based generative models (SGMs) learn a family of noise-conditional score functions corresponding to the data density perturbed with increasingly large amounts of noise. These…

eess.AS2022★ 12 cited

Automatic music mixing with deep learning and out-of-domain data

Marco A. Martínez-Ramírez, Wei-Hsiang Liao, Giorgio Fabbro +3

Music mixing traditionally involves recording instruments in the form of clean, individual tracks and blending them into a final mixture using audio effects and expert knowledge (e…

cs.LG2022★ 13 cited

SQ-VAE: Variational Bayes on Discrete Representation with Self-annealed Stochastic Quantization

Yuhta Takida, Takashi Shibuya, WeiHsiang Liao +7

One noted issue of vector-quantized variational autoencoder (VQ-VAE) is that the learned discrete representation uses only a fraction of the full capacity of the codebook, also kno…

eess.AS2022★ 18 cited

STARSS22: A dataset of spatial recordings of real scenes with spatiotemporal annotations of sound events

Archontis Politis, Kazuki Shimada, Parthasaarathy Sudarsanam +7

This report presents the Sony-TAu Realistic Spatial Soundscapes 2022 (STARS22) dataset for sound event localization and detection, comprised of spatial recordings of real scenes co…

eess.AS2022★ 1 cited

Distortion Audio Effects: Learning How to Recover the Clean Signal

Johannes Imort, Giorgio Fabbro, Marco A. Martínez Ramírez +3

Given the recent advances in music source separation and automatic mixing, removing audio effects in music tracks is a meaningful step toward developing an automated remixing syste…