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20172025
most citedMusic Demixing Challenge 2021

63 citations · 364 across the 60 of their papers we have counts for

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22 papers · 1 filter

eess.AS2023★ 1 cited

VRDMG: Vocal Restoration via Diffusion Posterior Sampling with Multiple Guidance

Carlos Hernandez-Olivan, Koichi Saito, Naoki Murata +4

Restoring degraded music signals is essential to enhance audio quality for downstream music manipulation. Recent diffusion-based music restoration methods have demonstrated impress…

eess.AS2023

Timbre-Trap: A Low-Resource Framework for Instrument-Agnostic Music Transcription

Frank Cwitkowitz, Kin Wai Cheuk, Woosung Choi +4

In recent years, research on music transcription has focused mainly on architecture design and instrument-specific data acquisition. With the lack of availability of diverse datase…

eess.AS2023

The Sound Demixing Challenge 2023 $\unicode{x2013}$ Cinematic Demixing Track

Stefan Uhlich, Giorgio Fabbro, Masato Hirano +14

This paper summarizes the cinematic demixing (CDX) track of the Sound Demixing Challenge 2023 (SDX'23). We provide a comprehensive summary of the challenge setup, detailing the str…

eess.AS2023★ 26 cited

The Sound Demixing Challenge 2023 $\unicode{x2013}$ Music Demixing Track

Giorgio Fabbro, Stefan Uhlich, Chieh-Hsin Lai +24

This paper summarizes the music demixing (MDX) track of the Sound Demixing Challenge (SDX'23). We provide a summary of the challenge setup and introduce the task of robust music so…

eess.AS2023★ 3 cited

The Whole Is Greater than the Sum of Its Parts: Improving Music Source Separation by Bridging Network

Ryosuke Sawata, Naoya Takahashi, Stefan Uhlich +2

This paper presents the crossing scheme (X-scheme) for improving the performance of deep neural network (DNN)-based music source separation (MSS) with almost no increasing calculat…

eess.AS2023★ 1 cited

Diffusion-based Signal Refiner for Speech Enhancement and Separation

Masato Hirano, Ryosuke Sawata, Naoki Murata +2

Although recent speech processing technologies have achieved significant improvements in objective metrics, there still remains a gap in human perceptual quality. This paper propos…

eess.AS2022★ 1 cited

Unsupervised vocal dereverberation with diffusion-based generative models

Koichi Saito, Naoki Murata, Toshimitsu Uesaka +4

Removing reverb from reverberant music is a necessary technique to clean up audio for downstream music manipulations. Reverberation of music contains two categories, natural reverb…

eess.AS2022★ 1 cited

Music Mixing Style Transfer: A Contrastive Learning Approach to Disentangle Audio Effects

Junghyun Koo, Marco A. Martínez-Ramírez, Wei-Hsiang Liao +3

We propose an end-to-end music mixing style transfer system that converts the mixing style of an input multitrack to that of a reference song. This is achieved with an encoder pre-…

eess.AS2022★ 11 cited

Diffiner: A Versatile Diffusion-based Generative Refiner for Speech Enhancement

Ryosuke Sawata, Naoki Murata, Yuhta Takida +4

Although deep neural network (DNN)-based speech enhancement (SE) methods outperform the previous non-DNN-based ones, they often degrade the perceptual quality of generated outputs.…

eess.AS2022★ 12 cited

Automatic music mixing with deep learning and out-of-domain data

Marco A. Martínez-Ramírez, Wei-Hsiang Liao, Giorgio Fabbro +3

Music mixing traditionally involves recording instruments in the form of clean, individual tracks and blending them into a final mixture using audio effects and expert knowledge (e…

eess.AS2022★ 18 cited

STARSS22: A dataset of spatial recordings of real scenes with spatiotemporal annotations of sound events

Archontis Politis, Kazuki Shimada, Parthasaarathy Sudarsanam +7

This report presents the Sony-TAu Realistic Spatial Soundscapes 2022 (STARS22) dataset for sound event localization and detection, comprised of spatial recordings of real scenes co…

eess.AS2022★ 1 cited

Distortion Audio Effects: Learning How to Recover the Clean Signal

Johannes Imort, Giorgio Fabbro, Marco A. Martínez Ramírez +3

Given the recent advances in music source separation and automatic mixing, removing audio effects in music tracks is a meaningful step toward developing an automated remixing syste…

eess.AS2021★ 5 cited

Spatial mixup: Directional loudness modification as data augmentation for sound event localization and detection

Ricardo Falcon-Perez, Kazuki Shimada, Yuichiro Koyama +2

Data augmentation methods have shown great importance in diverse supervised learning problems where labeled data is scarce or costly to obtain. For sound event localization and det…

eess.AS2021

Multi-ACCDOA: Localizing and Detecting Overlapping Sounds from the Same Class with Auxiliary Duplicating Permutation Invariant Training

Kazuki Shimada, Yuichiro Koyama, Shusuke Takahashi +3

Sound event localization and detection (SELD) involves identifying the direction-of-arrival (DOA) and the event class. The SELD methods with a class-wise output format make the mod…

eess.AS2021★ 63 cited

Music Demixing Challenge 2021

Yuki Mitsufuji, Giorgio Fabbro, Stefan Uhlich +6

Music source separation has been intensively studied in the last decade and tremendous progress with the advent of deep learning could be observed. Evaluation campaigns such as MIR…

eess.AS2021★ 19 cited

Ensemble of ACCDOA- and EINV2-based Systems with D3Nets and Impulse Response Simulation for Sound Event Localization and Detection

Kazuki Shimada, Naoya Takahashi, Yuichiro Koyama +4

This report describes our systems submitted to the DCASE2021 challenge task 3: sound event localization and detection (SELD) with directional interference. Our previous system base…

eess.AS2021★ 6 cited

Training Speech Enhancement Systems with Noisy Speech Datasets

Koichi Saito, Stefan Uhlich, Giorgio Fabbro +1

Recently, deep neural network (DNN)-based speech enhancement (SE) systems have been used with great success. During training, such systems require clean speech data - ideally, in l…

eess.AS2020★ 12 cited

ACCDOA: Activity-Coupled Cartesian Direction of Arrival Representation for Sound Event Localization and Detection

Kazuki Shimada, Yuichiro Koyama, Naoya Takahashi +2

Neural-network (NN)-based methods show high performance in sound event localization and detection (SELD). Conventional NN-based methods use two branches for a sound event detection…

eess.AS2020

All for One and One for All: Improving Music Separation by Bridging Networks

Ryosuke Sawata, Stefan Uhlich, Shusuke Takahashi +1

This paper proposes several improvements for music separation with deep neural networks (DNNs), namely a multi-domain loss (MDL) and two combination schemes. First, by using MDL we…

eess.AS2020★ 48 cited

D3Net: Densely connected multidilated DenseNet for music source separation

Naoya Takahashi, Yuki Mitsufuji

Music source separation involves a large input field to model a long-term dependence of an audio signal. Previous convolutional neural network (CNN)-based approaches address the la…

eess.AS2020★ 11 cited

Sound Event Localization and Detection Using Activity-Coupled Cartesian DOA Vector and RD3net

Kazuki Shimada, Naoya Takahashi, Shusuke Takahashi +1

Our systems submitted to the DCASE2020 task~3: Sound Event Localization and Detection (SELD) are described in this report. We consider two systems: a single-stage system that solve…

eess.AS2019★ 3 cited

Closing the Training/Inference Gap for Deep Attractor Networks

Cyril Cadoux, Stefan Uhlich, Marc Ferras +1

This paper improves the deep attractor network (DANet) approach by closing its gap between training and inference. During training, DANet relies on attractors, which are computed f…