activity
20172020
most citedSemi-supervised Neural Chord Estimation Based on a Variational Autoencoder with Latent Chord Labels and Features

1 citations · 1 across the 3 of their papers we have counts for

collaborators

9 papers

cs.SD2020

Tatum-Level Drum Transcription Based on a Convolutional Recurrent Neural Network with Language Model-Based Regularized Training

Ryoto Ishizuka, Ryo Nishikimi, Eita Nakamura +1

This paper describes a neural drum transcription method that detects from music signals the onset times of drums at the level, where tatum times are assumed to be…

cs.SD2020

Non-Local Musical Statistics as Guides for Audio-to-Score Piano Transcription

Kentaro Shibata, Eita Nakamura, Kazuyoshi Yoshii

We present an automatic piano transcription system that converts polyphonic audio recordings into musical scores. This has been a long-standing problem of music information process…

cs.SD20201 cited

Semi-supervised Neural Chord Estimation Based on a Variational Autoencoder with Latent Chord Labels and Features

Yiming Wu, Tristan Carsault, Eita Nakamura +1

This paper describes a statistically-principled semi-supervised method of automatic chord estimation (ACE) that can make effective use of music signals regardless of the availabili…

cs.LG2019

Multi-Step Chord Sequence Prediction Based on Aggregated Multi-Scale Encoder-Decoder Network

Tristan Carsault, Andrew McLeod, Philippe Esling +3

This paper studies the prediction of chord progressions for jazz music by relying on machine learning models. The motivation of our study comes from the recent success of neural ne…

cs.SD2019

Musical Rhythm Transcription Based on Bayesian Piece-Specific Score Models Capturing Repetitions

Eita Nakamura, Kazuyoshi Yoshii

Most work on musical score models (a.k.a. musical language models) for music transcription has focused on describing the local sequential dependence of notes in musical scores and…

cs.LG2019

Statistical Learning and Estimation of Piano Fingering

Eita Nakamura, Yasuyuki Saito, Kazuyoshi Yoshii

Automatic estimation of piano fingering is important for understanding the computational process of music performance and applicable to performance assistance and education systems…