159 citations · 361 across the 15 of their papers we have counts for
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DeepBach: a Steerable Model for Bach Chorales Generation
Gaëtan Hadjeres, François Pachet, Frank Nielsen
This paper introduces DeepBach, a graphical model aimed at modeling polyphonic music and specifically hymn-like pieces. We claim that, after being trained on the chorale harmonizat…
SISO and SIMO Accompaniment Cancellation for Live Solo Recordings Based on Short-Time ERB-Band Wiener Filtering and Spectral Subtraction
Stanislaw Gorlow, Mathieu Ramona, François Pachet
Research in collaborative music learning is subject to unresolved problems demanding new technological solutions. One such problem poses the suppression of the accompaniment in a l…
Decision-Based Transcription of Jazz Guitar Solos Using a Harmonic Bident Analysis Filter Bank and Spectral Distribution Weighting
Stanislaw Gorlow, Mathieu Ramona, François Pachet
Jazz guitar solos are improvised melody lines played on one instrument on top of a chordal accompaniment (comping). As the improvisation happens spontaneously, a reference score is…
Maximum entropy models for generation of expressive music
Simon Moulieras, François Pachet
In the context of contemporary monophonic music, expression can be seen as the difference between a musical performance and its symbolic representation, i.e. a musical score. In th…
Maximum entropy models capture melodic styles
Jason Sakellariou, Francesca Tria, Vittorio Loreto +1
We introduce a Maximum Entropy model able to capture the statistics of melodies in music. The model can be used to generate new melodies that emulate the style of the musical corpu…
Style Imitation and Chord Invention in Polyphonic Music with Exponential Families
Gaëtan Hadjeres, Jason Sakellariou, François Pachet
Modeling polyphonic music is a particularly challenging task because of the intricate interplay between melody and harmony. A good model should satisfy three requirements: statisti…