3 citations · 27 across the 17 of their papers we have counts for
19 papers
BeAts: Bengali Speech Acts Recognition using Multimodal Attention Fusion
Ahana Deb, Sayan Nag, Ayan Mahapatra +6
Spoken languages often utilise intonation, rhythm, intensity, and structure, to communicate intention, which can be interpreted differently depending on the rhythm of speech of the…
A Fractal Approach to Characterize Emotions in Audio and Visual Domain: A Study on Cross-Modal Interaction
Sayan Nag, Uddalok Sarkar, Shankha Sanyal +5
It is already known that both auditory and visual stimulus is able to convey emotions in human mind to different extent. The strength or intensity of the emotional arousal vary dep…
Language Independent Emotion Quantification using Non linear Modelling of Speech
Uddalok Sarkar, Sayan Nag, Chirayata Bhattacharya +4
At present emotion extraction from speech is a very important issue due to its diverse applications. Hence, it becomes absolutely necessary to obtain models that take into consider…
Neural Network architectures to classify emotions in Indian Classical Music
Uddalok Sarkar, Sayan Nag, Medha Basu +4
Music is often considered as the language of emotions. It has long been known to elicit emotions in human being and thus categorizing music based on the type of emotions they induc…
Speaker Recognition in Bengali Language from Nonlinear Features
Uddalok Sarkar, Soumyadeep Pal, Sayan Nag +5
At present Automatic Speaker Recognition system is a very important issue due to its diverse applications. Hence, it becomes absolutely necessary to obtain models that take into co…
Acoustical classification of different speech acts using nonlinear methods
Chirayata Bhattacharyya, Sourya Sengupta, Sayan Nag +4
A recitation is a way of combining the words together so that they have a sense of rhythm and thus an emotional content is imbibed within. In this study we envisaged to answer thes…
Music of Brain and Music on Brain: A Novel EEG Sonification approach
Sayan Nag, Shankha Sanyal, Archi Banerjee +2
Can we hear the sound of our brain? Is there any technique which can enable us to hear the neuro-electrical impulses originating from the different lobes of brain? The answer to al…
Can Musical Emotion Be Quantified With Neural Jitter Or Shimmer? A Novel EEG Based Study With Hindustani Classical Music
Sayan Nag, Sayan Biswas, Sourya Sengupta +4
The term jitter and shimmer has long been used in the domain of speech and acoustic signal analysis as a parameter for speaker identification and other prosodic features. In this s…
Emotion Specification from Musical Stimuli: An EEG Study with AFA and DFA
Sourya Sengupta, Sayan Biswas, Sayan Nag +4
The present study reports interesting findings in regard to emotional arousal based activities while listening to two Hindustani classical ragas of contrast emotion. EEG data was t…
Neural (EEG) Response during Creation and Appreciation: A Novel Study with Hindustani Raga Music
Archi Banerjee, Shankha Sanyal, Souparno Roy +5
What happens inside the performers brain when he is performing and composing a particular raga. Are there some specific regions in brain which are activated when an artist is creat…
Gestalt Phenomenon in Music? A Neurocognitive Physics Study with EEG
Shankha Sanyal, Archi Banerjee, Souparno Roy +5
The term gestalt has been widely used in the field of psychology which defined the perception of human mind to group any object not in part but as a unified whole. Music in general…
Ambiguity invokes Creativity : looking through Quantum physics
Souparno Roy, Archi Banerjee, Ranjan Sengupta +1
Creativity, defined as the tendency to generate or recognize new ideas or alternatives and to make connections between seemingly unrelated phenomena, is too vast a horizon to be su…
A Non Linear Approach towards Automated Emotion Analysis in Hindustani Music
Shankha Sanyal, Archi Banerjee, Tarit Guhathakurata +2
In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening…
A Non Linear Multifractal Study to Illustrate the Evolution of Tagore Songs Over a Century
Shankha Sanyal, Archi Banerjee, Tarit Guhathakurata +2
The works of Rabindranath Tagore have been sung by various artistes over generations spanning over almost 100 years. there are few songs which were popular in the early years and h…
Variation of singing styles within a particular Gharana of Hindustani classical music A nonlinear multifractal study
Archi Banerjee, Shankha Sanyal, Ranjan Sengupta +1
Hindustani classical music is entirely based on the "Raga" structures. In Hindustani music, a "Gharana" or school refers to the adherence of a group of musicians to a particular mu…
Ragas in Bollywood music A microscopic view through multrifractal cross-correlation method
Shankha Sanyal, Archi Banerjee, Souparno Roy +3
Since the start of Indian cinema, a number of films have been made where a particular song is based on a certain raga. These songs have been taking a major role in spreading the es…
Categorization of Stringed Instruments with Multifractal Detrended Fluctuation Analysis
Archi Banerjee, Shankha Sanyal, Tarit Guhathakurata +2
Categorization is crucial for content description in archiving of music signals. On many occasions, human brain fails to classify the instruments properly just by listening to thei…
Categorization of Tablas by Wavelet Analysis
Anirban Patranabis, Kaushik Banerjee, Vishal Midya +4
Tabla, a percussion instrument, mainly used to accompany vocalists, instrumentalists and dancers in every style of music from classical to light in India, mainly used for keeping r…
Harmonic and Timbre Analysis of Tabla Strokes
Anirban Patranabis, Kaushik Banerjee, Vishal Midya +5
Indian twin drums mainly bayan and dayan (tabla) are the most important percussion instruments in India popularly used for keeping rhythm. It is a twin percussion/drum instrument o…