3 citations · 27 across the 16 of their papers we have counts for
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A Non Linear Approach towards Automated Emotion Analysis in Hindustani Music
Shankha Sanyal, Archi Banerjee, Tarit Guhathakurata +2
In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening…
A Non Linear Multifractal Study to Illustrate the Evolution of Tagore Songs Over a Century
Shankha Sanyal, Archi Banerjee, Tarit Guhathakurata +2
The works of Rabindranath Tagore have been sung by various artistes over generations spanning over almost 100 years. there are few songs which were popular in the early years and h…
Variation of singing styles within a particular Gharana of Hindustani classical music A nonlinear multifractal study
Archi Banerjee, Shankha Sanyal, Ranjan Sengupta +1
Hindustani classical music is entirely based on the "Raga" structures. In Hindustani music, a "Gharana" or school refers to the adherence of a group of musicians to a particular mu…
Ragas in Bollywood music A microscopic view through multrifractal cross-correlation method
Shankha Sanyal, Archi Banerjee, Souparno Roy +3
Since the start of Indian cinema, a number of films have been made where a particular song is based on a certain raga. These songs have been taking a major role in spreading the es…
Categorization of Stringed Instruments with Multifractal Detrended Fluctuation Analysis
Archi Banerjee, Shankha Sanyal, Tarit Guhathakurata +2
Categorization is crucial for content description in archiving of music signals. On many occasions, human brain fails to classify the instruments properly just by listening to thei…
Categorization of Tablas by Wavelet Analysis
Anirban Patranabis, Kaushik Banerjee, Vishal Midya +4
Tabla, a percussion instrument, mainly used to accompany vocalists, instrumentalists and dancers in every style of music from classical to light in India, mainly used for keeping r…