3 citations · 29 across the 18 of their papers we have counts for
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A Non Linear Approach towards Automated Emotion Analysis in Hindustani Music
Shankha Sanyal, Archi Banerjee, Tarit Guhathakurata +2
In North Indian Classical Music, raga forms the basic structure over which individual improvisations is performed by an artist based on his/her creativity. The Alap is the opening…
A Non Linear Multifractal Study to Illustrate the Evolution of Tagore Songs Over a Century
Shankha Sanyal, Archi Banerjee, Tarit Guhathakurata +2
The works of Rabindranath Tagore have been sung by various artistes over generations spanning over almost 100 years. there are few songs which were popular in the early years and h…
Detecting tala Computationally in Polyphonic Context - A Novel Approach
Susmita Bhaduri, Anirban Bhaduri, Dipak Ghosh
In North-Indian-Music-System(NIMS),tabla is mostly used as percussive accompaniment for vocal-music in polyphonic-compositions. The human auditory system uses perceptual grouping o…
Variation of singing styles within a particular Gharana of Hindustani classical music A nonlinear multifractal study
Archi Banerjee, Shankha Sanyal, Ranjan Sengupta +1
Hindustani classical music is entirely based on the "Raga" structures. In Hindustani music, a "Gharana" or school refers to the adherence of a group of musicians to a particular mu…
Ragas in Bollywood music A microscopic view through multrifractal cross-correlation method
Shankha Sanyal, Archi Banerjee, Souparno Roy +3
Since the start of Indian cinema, a number of films have been made where a particular song is based on a certain raga. These songs have been taking a major role in spreading the es…
Non-classicality in mental states : an experimental study with ambiguous audio (music) stimuli
Souparno Roy, Ranjan Sengupta, Tarit Guhathakurata +1
This paper attempts to address the question that whether the present physical or mathematical theories are sufficient to understand the complexities of human brain when it interact…