117 citations · 197 across the 15 of their papers we have counts for
7 papers · 1 filter
Foley Sound Synthesis at the DCASE 2023 Challenge
Keunwoo Choi, Jaekwon Im, Laurie Heller +5
The addition of Foley sound effects during post-production is a common technique used to enhance the perceived acoustic properties of multimedia content. Traditionally, Foley sound…
A Proposal for Foley Sound Synthesis Challenge
Keunwoo Choi, Sangshin Oh, Minsung Kang +1
"Foley" refers to sound effects that are added to multimedia during post-production to enhance its perceived acoustic properties, e.g., by simulating the sounds of footsteps, ambie…
Diarization of Legal Proceedings. Identifying and Transcribing Judicial Speech from Recorded Court Audio
Jeffrey Tumminia, Amanda Kuznecov, Sophia Tsilerides +4
United States Courts make audio recordings of oral arguments available as public record, but these recordings rarely include speaker annotations. This paper addresses the Speech Au…
Multi-Task Self-Supervised Pre-Training for Music Classification
Ho-Hsiang Wu, Chieh-Chi Kao, Qingming Tang +4
Deep learning is very data hungry, and supervised learning especially requires massive labeled data to work well. Machine listening research often suffers from limited labeled data…
Learning the helix topology of musical pitch
Vincent Lostanlen, Sripathi Sridhar, Brian McFee +2
To explain the consonance of octaves, music psychologists represent pitch as a helix where azimuth and axial coordinate correspond to pitch class and pitch height respectively. Thi…
Multitask Learning for Fundamental Frequency Estimation in Music
Rachel M. Bittner, Brian McFee, Juan P. Bello
Fundamental frequency (f0) estimation from polyphonic music includes the tasks of multiple-f0, melody, vocal, and bass line estimation. Historically these problems have been approa…