6 papers · 1 filter
Equivariant Music Transformer
Zixun Guo, Simon Dixon
Humans recognize a musical passage even when it is shifted in time or transposed in pitch, indicating a notion of equivariance in the representation space. Our analysis, however, s…
Velocity Prediction in Automatic Guitar Transcription
Jackson Loth, Xavier Riley, Simon Dixon +1
Automatic Music Transcription (AMT) models have achieved a high level of success in polyphonic transcription of various instruments. Velocity, typically a measure of note intensity…
Enhanced Automatic Drum Transcription via Drum Stem Source Separation
Xavier Riley, Simon Dixon
Automatic Drum Transcription (ADT) remains a challenging task in MIR but recent advances allow accurate transcription of drum kits with up 5 classes - kick, snare, hi-hats, toms an…
GAPS: A Large and Diverse Classical Guitar Dataset and Benchmark Transcription Model
Xavier Riley, Zixun Guo, Drew Edwards +1
We introduce GAPS (Guitar-Aligned Performance Scores), a new dataset of classical guitar performances, and a benchmark guitar transcription model that achieves state-of-the-art per…
MIDI-to-Tab: Guitar Tablature Inference via Masked Language Modeling
Drew Edwards, Xavier Riley, Pedro Sarmento +1
Guitar tablatures enrich the structure of traditional music notation by assigning each note to a string and fret of a guitar in a particular tuning, indicating precisely where to p…
Reconstructing the Charlie Parker Omnibook using an audio-to-score automatic transcription pipeline
Xavier Riley, Simon Dixon
The Charlie Parker Omnibook is a cornerstone of jazz music education, described by pianist Ethan Iverson as "the most important jazz education text ever published". In this work we…