5 papers
Memory as transformation: LETHE, a self-referential gan-inspired architecture
Francesco Vitucci, Anthony Di Furia, Francesco Scagliola
LETHE (Latent-parameter Evolution with Temporal Hierarchical quasi-Equilibrium) is a self-referential sonic-oblivion system implemented in SuperCollider. It adopts the formal vocab…
Opening mind by opening architecture: analysis strategies
Francesco Vitucci, Giuseppe Silvi, Daniele Giuseppe Annese +2
In numerical signal processing for electroacoustic composition, the progressive loss of specific development and research environments caused by the increasing use of digital marke…
Arbitrary Polygon Oscillator: Generalizing Polygonal Synthesis to Arbitrary Shapes, Morphing, and Three-Dimensional Polyhedra
Antonio Argentieri, Francesco Scagliola
Polygonal synthesis generates audio by traversing the perimeter of a polygon with a phasor; prior work uses a constant angular velocity, whereas the proposed system adopts constant…
One Timeline, Many Renderings: A Wolfram Language Paclet for heterogeneous musical output
Francesco Vitucci, Michele Lorusso, Francesco Scagliola
One algorithmic composition may require a Csound score, engraved notation, real-time control, and a rehearsal click. Authored separately, their timelines drift. Temporal System is…
From local kernels to global form: modeling the emergence of musical content
Francesco Vitucci, Michele Lorusso, Francesco Scagliola
Markov models are established tools for symbolic music, including non-homogeneous formulations. The narrower contribution examined here is an observation-driven estimation mechanis…