2 citations · 2 across the 2 of their papers we have counts for
2 papers
eess.AS2024
Addressing Emotion Bias in Music Emotion Recognition and Generation with Frechet Audio Distance
Yuanchao Li, Azalea Gui, Dimitra Emmanouilidou +1
The complex nature of musical emotion introduces inherent bias in both recognition and generation, particularly when relying on a single audio encoder, emotion classifier, or evalu…
eess.AS2023★ 2 cited
Adapting Frechet Audio Distance for Generative Music Evaluation
Azalea Gui, Hannes Gamper, Sebastian Braun +1
The growing popularity of generative music models underlines the need for perceptually relevant, objective music quality metrics. The Frechet Audio Distance (FAD) is commonly used…