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20242026
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cs.SD2026

XAttnMark: Learning Robust Audio Watermarking with Cross-Attention

Yixin Liu, Lie Lu, Jihui Jin +2

The rapid proliferation of generative audio synthesis and editing technologies has raised serious concerns about copyright infringement, data provenance, and the spread of misinfor…

cs.SD2026

Video-Robin: Autoregressive Diffusion Planning for Intent-Grounded Video-to-Music Generation

Vaibhavi Lokegaonkar, Aryan Vijay Bhosale, Vishnu Raj +5

Video-to-music (V2M) is the fundamental task of creating background music for an input video. Recent V2M models achieve audiovisual alignment by typically relying on visual conditi…

cs.SD2026

Variable-Length Audio Fingerprinting

Hongjie Chen, Hanyu Meng, Huimin Zeng +3

Audio fingerprinting converts audio to much lower-dimensional representations, allowing distorted recordings to still be recognized as their originals through similar fingerprints.…

cs.SD2025

Transformation of audio embeddings into interpretable, concept-based representations

Alice Zhang, Edison Thomaz, Lie Lu

Advancements in audio neural networks have established state-of-the-art results on downstream audio tasks. However, the black-box structure of these models makes it difficult to in…

cs.SD2024

Audio Match Cutting: Finding and Creating Matching Audio Transitions in Movies and Videos

Dennis Fedorishin, Lie Lu, Srirangaraj Setlur +1

A "match cut" is a common video editing technique where a pair of shots that have a similar composition transition fluidly from one to another. Although match cuts are often visual…