8 papers
Description and Discussion on DCASE 2026 Challenge Task 4: Spatial Semantic Segmentation of Sound Scenes
Binh Thien Nguyen, Masahiro Yasuda, Noboru Harada +8
This paper presents an overview of the Detection and Classification of Acoustic Scenes and Events (DCASE) 2026 Challenge Task 4, Spatial Semantic Segmentation of Sound Scenes (S5).…
Rethinking Masking Strategies for Masked Prediction-based Audio Self-supervised Learning
Daisuke Niizumi, Daiki Takeuchi, Masahiro Yasuda +3
Since the introduction of Masked Autoencoders, various improvements to masking techniques have been explored. In this paper, we rethink masking strategies for audio representation…
Class-Aware Permutation-Invariant Signal-to-Distortion Ratio for Semantic Segmentation of Sound Scene with Same-Class Sources
Binh Thien Nguyen, Masahiro Yasuda, Daiki Takeuchi +2
To advance immersive communication, the Detection and Classification of Acoustic Scenes and Events (DCASE) 2025 Challenge recently introduced Task 4 on Spatial Semantic Segmentatio…
Description and Discussion on DCASE 2025 Challenge Task 4: Spatial Semantic Segmentation of Sound Scenes
Masahiro Yasuda, Binh Thien Nguyen, Noboru Harada +10
Spatial Semantic Segmentation of Sound Scenes (S5) aims to enhance technologies for sound event detection and separation from multi-channel input signals that mix multiple sound ev…
Baseline Systems and Evaluation Metrics for Spatial Semantic Segmentation of Sound Scenes
Binh Thien Nguyen, Masahiro Yasuda, Daiki Takeuchi +3
Immersive communication has made significant advancements, especially with the release of the codec for Immersive Voice and Audio Services. Aiming at its further realization, the D…
CLAP-ART: Automated Audio Captioning with Semantic-rich Audio Representation Tokenizer
Daiki Takeuchi, Binh Thien Nguyen, Masahiro Yasuda +3
Automated Audio Captioning (AAC) aims to describe the semantic contexts of general sounds, including acoustic events and scenes, by leveraging effective acoustic features. To enhan…