3 citations · 3 across the 7 of their papers we have counts for
5 papers · 1 filter
Training Music Sample Identification Models on Real Sample Pairs
R. Oguz Araz, Joan Serrà, Xavier Lizarraga-Seijas +4
Sample identification (SI) is the task of matching pairs of tracks, where one track is created by musically transforming an element of the other. In the absence of sample annotatio…
Building a Dataset for Music Sample Identification
R. Oguz Araz, Xavier Lizarraga, Xavier Serra +1
Sample identification (SI) is the task of matching an element of a musical work to its musically transformed versions used to create new works. The task has received little attenti…
Unified Music Identification for Tracks and Versions
R. Oguz Araz, Joan Serrà, Yuki Mitsufuji +2
Given a music database, track identification (TI) retrieves the exact track matching an audio excerpt, whereas version identification (VI) retrieves its musical versions. Tradition…
Towards Robust Version Identification in the Wild: A Dataset, Benchmark, and Fine-Tuning Study
Simon Hachmeier, R. Oguz Araz, Dmitry Bogdanov +2
Existing datasets for musical version identification (VI) are primarily derived from curated metadata sources such as SecondHandSongs and Discogs, and are therefore dominated by pr…
HumMusQA: A Human-written Music Understanding QA Benchmark Dataset
Benno Weck, Pablo Puentes, Andrea Poltronieri +2
The evaluation of music understanding in Large Audio-Language Models (LALMs) requires a rigorously defined benchmark that truly tests whether models can perceive and interpret musi…