collaborators

7 papers

cs.CL2026

Towards cross-cultural study of folksong lyrics with machine translation

Anna Dvořáková, Anna Aljanaki, Danbinaerin Han +5

Music is universally present in human societies. Ethnomusicologists have long been documenting the diverse expressions of human musicality, and comparative musicology has recently…

cs.SD2026

A Flexible Encoding Model for Non-Unique Note Alignments

Suhit Chiruthapudi, Adam Štefunko, Silvan Peter +3

Symbolic music alignment links notes in a symbolic performance to their counterparts in a score. While existing alignment encoding formats provide unique correspondences between th…

cs.DL2026

Making Chant Computing Easy: CantusCorpus v1.0 and the PyCantus Library

Anna Dvořáková, Tim Eipert, Debra Lacoste +1

Digital Gregorian chant scholarship has for decades enjoyed the privilege of a large digital resource cataloguing chant sources: the Cantus ecosystem, with nearly 900,000 chants ca…

cs.SD2026

On Every Note a Griff: Looking for a Useful Representation of Basso Continuo Performance Style

Adam Štefunko, Carlos Eduardo Cancino-Chacón, Jan Hajič

Basso continuo is a baroque improvisatory accompaniment style which involves improvising multiple parts above a given bass line in a musical score on a harpsichord or organ. Basso…

q-bio.PE2025

Knowing when to stop: insights from ecology for building catalogues, collections, and corpora

Jan Hajič, Fabian Moss

A major locus of musicological activity-increasingly in the digital domain-is the cataloguing of sources, which requires large-scale and long-lasting research collaborations. Yet,…

cs.SD2025

Modeling the Difficulty of Saxophone Music

Šimon Libřický, Jan Hajič

In learning music, difficulty is an important factor in choice of repertoire, choice of tempo, and structure of practice. These choices are typically done with the guidance of a te…

cs.CL2025

Gregorian melody, modality, and memory: Segmenting chant with Bayesian nonparametrics

Vojtěch Lanz, Jan Hajič

The idea that Gregorian melodies are constructed from some vocabulary of segments has long been a part of chant scholarship. This so-called "centonisation" theory has received much…