activity
20242026
collaborators

11 papers

cs.SD2026

MPASCNet: Magnitude-Phase-Aware Adaptive Spectral Compression for Compressed Music Restoration

Xinlong Deng, Yu Xia, Qiuqiang Kong +2

Compressed music restoration aims to recover high-fidelity audio from lossy codecs such as MP3 by restoring missing spectral content and reducing coding artifacts. Recently, genera…

cs.SD2026

Voices of Civilizations: A Multilingual QA Benchmark for Global Music Understanding

Shangda Wu, Ziya Zhou, Yongyi Zang +4

We introduce Voices of Civilizations, the first multilingual QA benchmark for evaluating audio LLMs' cultural comprehension on full-length music recordings. Covering 380 tracks acr…

cs.SD2026

Summary of The Inaugural Music Source Restoration Challenge

Yongyi Zang, Jiarui Hai, Wanying Ge +5

Music Source Restoration (MSR) aims to recover original, unprocessed instrument stems from professionally mixed and degraded audio, requiring the reversal of both production effect…

cs.SD2025

MSRBench: A Benchmarking Dataset for Music Source Restoration

Yongyi Zang, Jiarui Hai, Wanying Ge +5

Music Source Restoration (MSR) extends source separation to realistic settings where signals undergo production effects (equalization, compression, reverb) and real-world degradati…

cs.SD2025

Music Source Restoration

Yongyi Zang, Zheqi Dai, Mark D. Plumbley +1

We introduce Music Source Restoration (MSR), a novel task addressing the gap between idealized source separation and real-world music production. Current Music Source Separation (M…

cs.SD2025

Training-Free Multi-Step Audio Source Separation

Yongyi Zang, Jingyi Li, Qiuqiang Kong

Audio source separation aims to separate a mixture into target sources. Previous audio source separation systems usually conduct one-step inference, which does not fully explore th…

cs.SD2025

GSound-SIR: A Spatial Impulse Response Ray-Tracing and High-order Ambisonic Auralization Python Toolkit

Yongyi Zang, Qiuqiang Kong

Accurate and efficient simulation of room impulse responses is crucial for spatial audio applications. However, existing acoustic ray-tracing tools often operate as black boxes and…

cs.SD2025

Piano Transcription by Hierarchical Language Modeling with Pretrained Roll-based Encoders

Dichucheng Li, Yongyi Zang, Qiuqiang Kong

Automatic Music Transcription (AMT), aiming to get musical notes from raw audio, typically uses frame-level systems with piano-roll outputs or language model (LM)-based systems wit…

cs.SD2024

DRCap: Decoding CLAP Latents with Retrieval-Augmented Generation for Zero-shot Audio Captioning

Xiquan Li, Wenxi Chen, Ziyang Ma +5

While automated audio captioning (AAC) has made notable progress, traditional fully supervised AAC models still face two critical challenges: the need for expensive audio-text pair…

eess.AS2024

Language-Queried Target Sound Extraction Without Parallel Training Data

Hao Ma, Zhiyuan Peng, Xu Li +4

Language-queried target sound extraction (TSE) aims to extract specific sounds from mixtures based on language queries. Traditional fully-supervised training schemes require extens…

eess.AS2024

Towards Out-of-Distribution Detection in Vocoder Recognition via Latent Feature Reconstruction

Renmingyue Du, Jixun Yao, Qiuqiang Kong +1

Advancements in synthesized speech have created a growing threat of impersonation, making it crucial to develop deepfake algorithm recognition. One significant aspect is out-of-dis…