6 citations · 14 across the 12 of their papers we have counts for
13 papers
Full-Page Optical Music Recognition of Handwritten Monophonic Scores
Adrian Rosello, Antonio Ríos-Vila, David Rizo +1
Full-page end-to-end Optical Music Recognition seeks to transcribe entire music pages directly into symbolic notation, avoiding the limitations of traditional pipelines that rely o…
MuSViT: A Foundation Vision Model for Sheet Music Representation
Carlos Penarrubia, Antonio Rios-Vila, Eliseo Fuentes-Martinez +4
Foundation models have transformed vision and language processing by providing rich, reusable representations that transfer across diverse tasks. Sheet music, as a visual encoding…
Direct content-based retrieval from music scores images
Noelia Luna-Barahona, Antonio Ríos-Vila, Félix Fuentes-Hurtado +2
The digitization of musical scores plays a crucial role in their preservation and accessibility, yet information retrieval still depends mainly on metadata searches, such as by tit…
Optical Music Recognition of Jazz Lead Sheets
Juan Carlos Martinez-Sevilla, Francesco Foscarin, Patricia Garcia-Iasci +3
In this paper, we address the challenge of Optical Music Recognition (OMR) for handwritten jazz lead sheets, a widely used musical score type that encodes melody and chords. The ta…
Sheet Music Benchmark: Standardized Optical Music Recognition Evaluation
Juan C. Martinez-Sevilla, Joan Cerveto-Serrano, Noelia Luna +4
In this work, we introduce the Sheet Music Benchmark (SMB), a dataset of six hundred and eighty-five pages specifically designed to benchmark Optical Music Recognition (OMR) resear…
Aligned Music Notation and Lyrics Transcription
Eliseo Fuentes-Martínez, Antonio Ríos-Vila, Juan C. Martinez-Sevilla +2
The digitization of vocal music scores presents unique challenges that go beyond traditional Optical Music Recognition (OMR) and Optical Character Recognition (OCR), as it necessit…
Proceedings of the 6th International Workshop on Reading Music Systems
Jorge Calvo-Zaragoza, Alexander Pacha, Elona Shatri
The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical M…
End-to-End Full-Page Optical Music Recognition for Pianoform Sheet Music
Antonio Ríos-Vila, Jorge Calvo-Zaragoza, David Rizo +1
Optical Music Recognition (OMR) has made significant progress since its inception, with various approaches now capable of accurately transcribing music scores into digital formats.…
Sheet Music Transformer: End-To-End Optical Music Recognition Beyond Monophonic Transcription
Antonio Ríos-Vila, Jorge Calvo-Zaragoza, Thierry Paquet
State-of-the-art end-to-end Optical Music Recognition (OMR) has, to date, primarily been carried out using monophonic transcription techniques to handle complex score layouts, such…
Proceedings of the 5th International Workshop on Reading Music Systems
Jorge Calvo-Zaragoza, Alexander Pacha, Elona Shatri
The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical M…
Proceedings of the 1st International Workshop on Reading Music Systems
Jorge Calvo-Zaragoza, Jan Hajič, Alexander Pacha
The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical M…
Proceedings of the 2nd International Workshop on Reading Music Systems
Jorge Calvo-Zaragoza, Alexander Pacha
The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical M…
Proceedings of the 3rd International Workshop on Reading Music Systems
Jorge Calvo-Zaragoza, Alexander Pacha
The International Workshop on Reading Music Systems (WoRMS) is a workshop that tries to connect researchers who develop systems for reading music, such as in the field of Optical M…