12 citations · 16 across the 9 of their papers we have counts for
9 papers
OpenMU: Your Swiss Army Knife for Music Understanding
Mengjie Zhao, Zhi Zhong, Zhuoyuan Mao +5
We present OpenMU-Bench, a large-scale benchmark suite for addressing the data scarcity issue in training multimodal language models to understand music. To construct OpenMU-Bench,…
DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation
Yin-Jyun Luo, Kin Wai Cheuk, Woosung Choi +8
Existing work on pitch and timbre disentanglement has been mostly focused on single-instrument music audio, excluding the cases where multiple instruments are presented. To fill th…
GRAFX: An Open-Source Library for Audio Processing Graphs in PyTorch
Sungho Lee, Marco Martínez-Ramírez, Wei-Hsiang Liao +4
We present GRAFX, an open-source library designed for handling audio processing graphs in PyTorch. Along with various library functionalities, we describe technical details on the…
Improving Unsupervised Clean-to-Rendered Guitar Tone Transformation Using GANs and Integrated Unaligned Clean Data
Yu-Hua Chen, Woosung Choi, Wei-Hsiang Liao +5
Recent years have seen increasing interest in applying deep learning methods to the modeling of guitar amplifiers or effect pedals. Existing methods are mainly based on the supervi…
MR-MT3: Memory Retaining Multi-Track Music Transcription to Mitigate Instrument Leakage
Hao Hao Tan, Kin Wai Cheuk, Taemin Cho +2
This paper presents enhancements to the MT3 model, a state-of-the-art (SOTA) token-based multi-instrument automatic music transcription (AMT) model. Despite SOTA performance, MT3 h…
HQ-VAE: Hierarchical Discrete Representation Learning with Variational Bayes
Yuhta Takida, Yukara Ikemiya, Takashi Shibuya +8
Vector quantization (VQ) is a technique to deterministically learn features with discrete codebook representations. It is commonly performed with a variational autoencoding model,…