10 citations · 14 across the 6 of their papers we have counts for
7 papers · 1 filter
LiveBand: Live Accompaniment Generation in the Audio Domain
Marco Pasini, Javier Nistal, Ben Hayes +3
We present LiveBand, a real-time system that generates high-fidelity music accompaniments to live audio input, respecting strict causal constraints. Our method trains a causal tran…
PESTO: Real-Time Pitch Estimation with Self-supervised Transposition-equivariant Objective
Alain Riou, Bernardo Torres, Ben Hayes +4
In this paper, we introduce PESTO, a self-supervised learning approach for single-pitch estimation using a Siamese architecture. Our model processes individual frames of a Variable…
Audio synthesizer inversion in symmetric parameter spaces with approximately equivariant flow matching
Ben Hayes, Charalampos Saitis, György Fazekas
Many audio synthesizers can produce the same signal given different parameter configurations, meaning the inversion from sound to parameters is an inherently ill-posed problem. We…
DiffVox: A Differentiable Model for Capturing and Analysing Vocal Effects Distributions
Chin-Yun Yu, Marco A. Martínez-Ramírez, Junghyun Koo +4
This study introduces a novel and interpretable model, DiffVox, for matching vocal effects in music production. DiffVox, short for ``Differentiable Vocal Fx", integrates parametric…
A Review of Differentiable Digital Signal Processing for Music & Speech Synthesis
Ben Hayes, Jordie Shier, György Fazekas +2
The term "differentiable digital signal processing" describes a family of techniques in which loss function gradients are backpropagated through digital signal processors, facilita…
Rigid-Body Sound Synthesis with Differentiable Modal Resonators
Rodrigo Diaz, Ben Hayes, Charalampos Saitis +2
Physical models of rigid bodies are used for sound synthesis in applications from virtual environments to music production. Traditional methods such as modal synthesis often rely o…