activity
20182024
most citedIntroducing SPAIN (SParse Audio INpainter)

28 citations · 90 across the 12 of their papers we have counts for

collaborators

12 papers

eess.AS2024

Regularized autoregressive modeling and its application to audio signal reconstruction

Ondřej Mokrý, Pavel Rajmic

Autoregressive (AR) modeling is invaluable in signal processing, in particular in speech and audio fields. Attempts in the literature can be found that regularize or constrain eith…

eess.AS2024★ 1 cited

Janssen 2.0: Audio Inpainting in the Time-frequency Domain

Ondřej Mokrý, Peter Balušík, Pavel Rajmic

The paper focuses on inpainting missing parts of an audio signal spectrogram, i.e., estimating the lacking time-frequency coefficients. The autoregression-based Janssen algorithm,…

eess.AS2024★ 1 cited

Tweaking autoregressive methods for inpainting of gaps in audio signals

Ondřej Mokrý, Pavel Rajmic

A novel variant of the Janssen method for audio inpainting is presented and compared to other popular audio inpainting methods based on autoregressive (AR) modeling. Both conceptua…

eess.SP2023

Improving DCE-MRI through unfolded low-rank + sparse optimisation

Ondřej Mokrý, Jiří Vitouš, Pavel Rajmic +1

A method for perfusion imaging with DCE-MRI is developed based on two popular paradigms: the low-rank + sparse model for optimisation-based reconstruction, and the deep unfolding.…

eess.AS2023★ 2 cited

Multiple Hankel matrix rank minimization for audio inpainting

Pavel Záviška, Pavel Rajmic, Ondřej Mokrý

Sasaki et al. (2018) presented an efficient audio declipping algorithm, based on the properties of Hankel-structure matrices constructed from time-domain signal blocks. We adapt th…

eess.AS2021

Audio declipping performance enhancement via crossfading

Pavel Záviška, Pavel Rajmic, Ondřej Mokrý

Some audio declipping methods produce waveforms that do not fully respect the physical process of clipping, which is why we refer to them as inconsistent. This letter reports what…

eess.AS2020★ 2 cited

Audio Dequantization Using (Co)Sparse (Non)Convex Methods

Pavel Záviška, Pavel Rajmic, Ondřej Mokrý

The paper deals with the hitherto neglected topic of audio dequantization. It reviews the state-of-the-art sparsity-based approaches and proposes several new methods. Convex as wel…

eess.AS2020★ 7 cited

Approximal operator with application to audio inpainting

Ondřej Mokrý, Pavel Rajmic

In their recent evaluation of time-frequency representations and structured sparsity approaches to audio inpainting, Lieb and Stark (2018) have used a particular mapping as a proxi…

eess.AS2020★ 3 cited

Flexible framework for audio reconstruction

Ondřej Mokrý, Pavel Rajmic, Pavel Záviška

The paper presents a unified, flexible framework for the tasks of audio inpainting, declipping, and dequantization. The concept is further extended to cover analogous degradation m…

eess.AS2020★ 23 cited

Audio Inpainting: Revisited and Reweighted

Ondřej Mokrý, Pavel Rajmic

We deal with the problem of sparsity-based audio inpainting, i.e. filling in the missing segments of audio. A consequence of the approaches based on mathematical optimization is th…

cs.SD2018★ 28 cited

Introducing SPAIN (SParse Audio INpainter)

Ondřej Mokrý, Pavel Záviška, Pavel Rajmic +1

A novel sparsity-based algorithm for audio inpainting is proposed. It is an adaptation of the SPADE algorithm by Kitić et al., originally developed for audio declipping, to the tas…

eess.AS2018★ 23 cited

A Proper version of Synthesis-based Sparse Audio Declipper

Pavel Záviška, Pavel Rajmic, Ondřej Mokrý +1

Methods based on sparse representation have found great use in the recovery of audio signals degraded by clipping. The state of the art in declipping has been achieved by the SPADE…