12 citations · 14 across the 5 of their papers we have counts for
6 papers
Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations
Courtney N Reed, Landon Morrison, Andrew P Mcpherson +2
This paper investigates sound and music interactions arising from the use of electromyography (EMG) to instrumentalise signals from muscle exertion of the human body. We situate EM…
FM Tone Transfer with Envelope Learning
Franco Caspe, Andrew McPherson, Mark Sandler
Tone Transfer is a novel deep-learning technique for interfacing a sound source with a synthesizer, transforming the timbre of audio excerpts while keeping their musical form conte…
Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis
Jordie Shier, Franco Caspe, Andrew Robertson +3
Differentiable digital signal processing (DDSP) techniques, including methods for audio synthesis, have gained attention in recent years and lend themselves to interpretability in…
A Review of Differentiable Digital Signal Processing for Music & Speech Synthesis
Ben Hayes, Jordie Shier, György Fazekas +2
The term "differentiable digital signal processing" describes a family of techniques in which loss function gradients are backpropagated through digital signal processors, facilita…
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar
Andrea Martelloni, Andrew P McPherson, Mathieu Barthet
Real-time music information retrieval (RT-MIR) has much potential to augment the capabilities of traditional acoustic instruments. We develop RT-MIR techniques aimed at augmenting…
DDX7: Differentiable FM Synthesis of Musical Instrument Sounds
Franco Caspe, Andrew McPherson, Mark Sandler
FM Synthesis is a well-known algorithm used to generate complex timbre from a compact set of design primitives. Typically featuring a MIDI interface, it is usually impractical to c…