4 citations · 9 across the 10 of their papers we have counts for
10 papers
Steering Large Text-to-Image Model for Abstract Art Synthesis: Preference-based Prompt Optimization and Visualization
Aven-Le Zhou, Wei Wu, Yu-Ao Wang +1
With the advancement of neural generative capabilities, the art community has increasingly embraced GenAI (Generative Artificial Intelligence), particularly large text-to-image mod…
Mixed or Misperceived Reality? Flusserian Media Freedom through Surreal Me
Aven-Le Zhou, Lei Xi, Kang Zhang
This paper delves into Vilém Flusser's critique of media as mediators that distort the human perception of reality and diminish freedom, particularly within the Mixed Reality conte…
Inflation of Interactivity? Analyzing and Understanding Embodied Interaction in Interactive Art through a New Three-dimensional Model
Aven-Le Zhou
This insight paper examines embodied interaction in interactive art, focusing on body embodiment, bodily sensation (i.e., somaesthetic), and audience-artwork interaction. The autho…
Surrealism Me: Interactive Virtual Embodying Experiences in Mixed Reality
Aven Le Zhou
This paper introduces an interactive Mixed Reality (MR) experience and artistic inquiry entitled ``Surrealism Me'' which delves into Vilém Flusser's critique of media as mediators…
Another Body in the World: Flusserian Freedom in Mixed Reality
Aven Le Zhou, Lei Xi, Kang Zhang
In Flusserian view of media history, humans often misperceive the world projected by media to be the world itself, leading to a loss of freedom. This paper examines Flusserian Free…
Human Aesthetic Preference-Based Large Text-to-Image Model Personalization: Kandinsky Generation as an Example
Aven-Le Zhou, Yu-Ao Wang, Wei Wu +1
With the advancement of neural generative capabilities, the art community has actively embraced GenAI (generative artificial intelligence) for creating painterly content. Large tex…
Painterly Reality: Enhancing Audience Experience with Paintings through Interactive Art
Aven Le Zhou, Kang Zhang, David Yip
Perceiving paintings entails more than merely engaging the audience's eyes and brains; their perceptions and experiences of a painting can be intricately connected with body moveme…
Archiving Body Movements: Collective Generation of Chinese Calligraphy
Aven Le Zhou, Jiayi Ye, Tianchen Liu +1
As a communication channel, body movements have been widely explored in behavioral studies and kinesics. Performing and visual arts share the same interests but focus on documentin…
ShanshuiDaDA: An Interactive, Generative System towards Chinese Shanshui Painting
Aven Le Zhou, Qiufeng Wang, Cheng-Hung Lo +1
Shanshui, which means mountain and water, is an East Asian traditional brush painting involving natural landscapes. This paper proposes an interactive and generative system based o…
Machine: The New Art Connoisseur
Yucheng Zhu, Yanrong Ji, Yueying Zhang +3
The process of identifying and understanding art styles to discover artistic influences is essential to the study of art history. Traditionally, trained experts review fine details…