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Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music
Emmanuel Deruty, David Meredith, Maarten Grachten +5
The paper investigates how listeners perceive multiple simultaneous pitches from single harmonic tones in contemporary electronic music, using listening tests and pitch transcripti…
Methods for Pitch Analysis in Contemporary Popular Music: Multiphonic Tones Across Genres
Emmanuel Deruty, David Meredith, Yann Macé +3
This study argues that electronic tones routinely used in contemporary popular music - including 808-style bass and power chords - are structurally and perceptually equivalent to m…
Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance
Emmanuel Deruty, Pascal Arbez-Nicolas, David Meredith
Vitalic is an electronic music producer who has been active since 2001. Vitalic's 2005 track "No Fun" features a main synthesiser part built from a sequence of single inharmonic to…