From the 3 of 8 linked papers with an AI index.
1 citations · 2 across the 3 of their papers we have counts for
8 papers
Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music
Emmanuel Deruty, David Meredith, Maarten Grachten +5
The paper investigates how listeners perceive multiple simultaneous pitches from single harmonic tones in contemporary electronic music, using listening tests and pitch transcripti…
An introduction to pitch strength in contemporary popular music analysis and production
Emmanuel Deruty
The paper introduces pitch strength as a low‑level perceptual feature in contemporary popular music, showing how it varies within songs and influences musical structure, polyphonic…
Insights on Harmonic Tones from a Generative Music Experiment
Emmanuel Deruty, Maarten Grachten
The paper reports a studio‑lab experiment where an AI model generating bass‑like audio produced harmonic complex tones that convey multiple pitches, revealing that the model can cr…
Methods for Pitch Analysis in Contemporary Popular Music: Multiphonic Tones Across Genres
Emmanuel Deruty, David Meredith, Yann Macé +3
This study argues that electronic tones routinely used in contemporary popular music - including 808-style bass and power chords - are structurally and perceptually equivalent to m…
Evolving music theory for emerging musical languages
Emmanuel Deruty
This chapter reconsiders the concept of pitch in contemporary popular music (CPM), particularly in electronic contexts where traditional assumptions may fail. Drawing on phenomenol…
Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance
Emmanuel Deruty, Pascal Arbez-Nicolas, David Meredith
Vitalic is an electronic music producer who has been active since 2001. Vitalic's 2005 track "No Fun" features a main synthesiser part built from a sequence of single inharmonic to…