From the 2 of 4 linked papers with an AI index.
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4 papers
Methods for pitch analysis in contemporary popular music: multiple pitches from harmonic tones in Vitalic's music
Emmanuel Deruty, David Meredith, Maarten Grachten +5
The paper investigates how listeners perceive multiple simultaneous pitches from single harmonic tones in contemporary electronic music, using listening tests and pitch transcripti…
The evolution of inharmonicity and noisiness in contemporary popular music
Emmanuel Deruty, David Meredith, Stefan Lattner
The paper analyzes how inharmonicity and noise levels in popular music have changed from 1961 to 2020 using modified MPEG‑7 audio features, comparing these trends to classical and…
Methods for pitch analysis in contemporary popular music: Vitalic's use of tones that do not operate on the principle of acoustic resonance
Emmanuel Deruty, Pascal Arbez-Nicolas, David Meredith
Vitalic is an electronic music producer who has been active since 2001. Vitalic's 2005 track "No Fun" features a main synthesiser part built from a sequence of single inharmonic to…
Methods for pitch analysis in contemporary popular music: phenomenological analysis of Primaal's commercial works
Emmanuel Deruty, Luc Leroy, Yann Macé +1
This article uses phenomenological analysis to examine pitch-related elements in commercial popular music, focusing on Primaal, a successful electronic music brand whose works have…