105 citations · 240 across the 32 of their papers we have counts for
32 papers
CAPTDURE: Captioned Sound Dataset of Single Sources
Yuki Okamoto, Kanta Shimonishi, Keisuke Imoto +3
In conventional studies on environmental sound separation and synthesis using captions, datasets consisting of multiple-source sounds with their captions were used for model traini…
Description and Discussion on DCASE 2023 Challenge Task 2: First-Shot Unsupervised Anomalous Sound Detection for Machine Condition Monitoring
Kota Dohi, Keisuke Imoto, Noboru Harada +7
We present the task description of the Detection and Classification of Acoustic Scenes and Events (DCASE) 2023 Challenge Task 2: ``First-shot unsupervised anomalous sound detection…
Environmental sound synthesis from vocal imitations and sound event labels
Yuki Okamoto, Keisuke Imoto, Shinnosuke Takamichi +3
One way of expressing an environmental sound is using vocal imitations, which involve the process of replicating or mimicking the rhythm and pitch of sounds by voice. We can effect…
Foley Sound Synthesis at the DCASE 2023 Challenge
Keunwoo Choi, Jaekwon Im, Laurie Heller +5
The addition of Foley sound effects during post-production is a common technique used to enhance the perceived acoustic properties of multimedia content. Traditionally, Foley sound…
Visual onoma-to-wave: environmental sound synthesis from visual onomatopoeias and sound-source images
Hien Ohnaka, Shinnosuke Takamichi, Keisuke Imoto +3
We propose a method for synthesizing environmental sounds from visually represented onomatopoeias and sound sources. An onomatopoeia is a word that imitates a sound structure, i.e.…
How Should We Evaluate Synthesized Environmental Sounds
Yuki Okamoto, Keisuke Imoto, Shinnosuke Takamichi +2
Although several methods of environmental sound synthesis have been proposed, there has been no discussion on how synthesized environmental sounds should be evaluated. Only either…