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20182026
most citedSound Event Detection and Separation: a Benchmark on Desed Synthetic Soundscapes

30 citations · 98 across the 28 of their papers we have counts for

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Showing 2020Show all

8 papers · 1 filter

cs.SD2020

What's All the FUSS About Free Universal Sound Separation Data?

Scott Wisdom, Hakan Erdogan, Daniel Ellis +6

We introduce the Free Universal Sound Separation (FUSS) dataset, a new corpus for experiments in separating mixtures of an unknown number of sounds from an open domain of sound typ…

cs.SD2020★ 30 cited

Sound Event Detection and Separation: a Benchmark on Desed Synthetic Soundscapes

Nicolas Turpault, Romain Serizel, Scott Wisdom +5

We propose a benchmark of state-of-the-art sound event detection systems (SED). We designed synthetic evaluation sets to focus on specific sound event detection challenges. We anal…

cs.SD2020★ 3 cited

A Study of Transfer Learning in Music Source Separation

Andreas Bugler, Bryan Pardo, Prem Seetharaman

Supervised deep learning methods for performing audio source separation can be very effective in domains where there is a large amount of training data. While some music domains ha…

eess.AS2020

AutoClip: Adaptive Gradient Clipping for Source Separation Networks

Prem Seetharaman, Gordon Wichern, Bryan Pardo +1

Clipping the gradient is a known approach to improving gradient descent, but requires hand selection of a clipping threshold hyperparameter. We present AutoClip, a simple method fo…

cs.SD2020★ 1 cited

Incorporating Music Knowledge in Continual Dataset Augmentation for Music Generation

Alisa Liu, Alexander Fang, Gaëtan Hadjeres +2

Deep learning has rapidly become the state-of-the-art approach for music generation. However, training a deep model typically requires a large training set, which is often not avai…

cs.SD2020★ 6 cited

Bach or Mock? A Grading Function for Chorales in the Style of J.S. Bach

Alexander Fang, Alisa Liu, Prem Seetharaman +1

Deep generative systems that learn probabilistic models from a corpus of existing music do not explicitly encode knowledge of a musical style, compared to traditional rule-based sy…

cs.SD2020★ 1 cited

OtoWorld: Towards Learning to Separate by Learning to Move

Omkar Ranadive, Grant Gasser, David Terpay +1

We present OtoWorld, an interactive environment in which agents must learn to listen in order to solve navigational tasks. The purpose of OtoWorld is to facilitate reinforcement le…

cs.SD2020★ 7 cited

Improving Sound Event Detection In Domestic Environments Using Sound Separation

Nicolas Turpault, Scott Wisdom, Hakan Erdogan +5

Performing sound event detection on real-world recordings often implies dealing with overlapping target sound events and non-target sounds, also referred to as interference or nois…