activity
20182026
most citedOn the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game

3 citations · 7 across the 4 of their papers we have counts for

collaborators

6 papers

cs.IR20261 cited

Adopting State-of-the-Art Pretrained Audio Representations for Music Recommender Systems

Yan-Martin Tamm, Anna Aljanaki

Over the years, Music Information Retrieval (MIR) research community has released various models pretrained on large amounts of music data. Transfer learning showcases the proven e…

cs.IR2026

Leveraging Artist Catalogs for Cold-Start Music Recommendation

Yan-Martin Tamm, Gregor Meehan, Vojtěch Nekl +4

The item cold-start problem poses a fundamental challenge for music recommendation: newly added tracks lack the interaction history that collaborative filtering (CF) requires. Exis…

cs.IR20243 cited

Comparative Analysis of Pretrained Audio Representations in Music Recommender Systems

Yan-Martin Tamm, Anna Aljanaki

Over the years, Music Information Retrieval (MIR) has proposed various models pretrained on large amounts of music data. Transfer learning showcases the proven effectiveness of pre…

cs.SD20203 cited

On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game

Carlos Cancino-Chacón, Silvan Peter, Shreyan Chowdhury +2

A piece of music can be expressively performed, or interpreted, in a variety of ways. With the help of an online questionnaire, the Con Espressione Game, we collected some 1,500 de…

cs.SD2018

Modeling Majorness as a Perceptual Property in Music from Listener Ratings

Anna Aljanaki, Gerhard Widmer

For the tasks of automatic music emotion recognition, genre recognition, music recommendation it is helpful to be able to extract mode from any section of a musical piece as a perc…

cs.SD2018

A data-driven approach to mid-level perceptual musical feature modeling

Anna Aljanaki, Mohammad Soleymani

Musical features and descriptors could be coarsely divided into three levels of complexity. The bottom level contains the basic building blocks of music, e.g., chords, beats and ti…