activity
20172026
most citedMuseGAN: Multi-track Sequential Generative Adversarial Networks for Symbolic Music Generation and Accompaniment

149 citations · 240 across the 23 of their papers we have counts for

collaborators

23 papers

cs.SD2026

MusPyExpress: Extending MusPy with Enhanced Expression Text Support

Phillip Long, Hao-Wen Dong, Julian McAuley +1

Current work in modeling symbolic music primarily relies on representations extracted from MIDI-like data. While such formats allow for modeling symbolic music as sequences of note…

cs.SD2026

Dialogue-Aware Video-to-Music Generation Using Public Domain Film Collections

Haven Kim, Zachary Novack, Julian McAuley +1

Video-to-music generation has drawn growing interest for its role in conveying the emotion of visual media, including film. Progress in the field, however, is hampered by a reprodu…

cs.SD2026

Academic Text-to-Music Grand Challenge: Datasets, Baselines, and Evaluation Methods

Fang-Chih Hsieh, Wei-Jaw Lee, Chun-Ping Wang +3

This paper presents an overview and the technical framework of the ICME 2026 Grand Challenge on Academic Text-to-Music Generation (ATTM). Despite the rapid progress in text-to-musi…

eess.AS2026

Unmixing The Crowd: Learning Persistent Speaker Representations from Mixture-Derived Multi-Speaker Embeddings

Sidharth Sidharth, Meysam Asgari, Hao-Wen Dong +1

We study whether persistent conversational speaker structure can be extracted directly from local overlapping speech mixtures. We propose a teacher-student framework that learns mi…

cs.SD2025

Video-Guided Text-to-Music Generation Using Public Domain Movie Collections

Haven Kim, Zachary Novack, Weihan Xu +2

Despite recent advancements in music generation systems, their application in film production remains limited, as they struggle to capture the nuances of real-world filmmaking, whe…

cs.AI2025

Synthesizing Composite Hierarchical Structure from Symbolic Music Corpora

Ilana Shapiro, Ruanqianqian Huang, Zachary Novack +5

Western music is an innately hierarchical system of interacting levels of structure, from fine-grained melody to high-level form. In order to analyze music compositions holisticall…

cs.CV2024

TeaserGen: Generating Teasers for Long Documentaries

Weihan Xu, Paul Pu Liang, Haven Kim +3

Teasers are an effective tool for promoting content in entertainment, commercial and educational fields. However, creating an effective teaser for long videos is challenging for it…

cs.SD2024★ 1 cited

Generating Symbolic Music from Natural Language Prompts using an LLM-Enhanced Dataset

Weihan Xu, Julian McAuley, Taylor Berg-Kirkpatrick +2

Recent years have seen many audio-domain text-to-music generation models that rely on large amounts of text-audio pairs for training. However, symbolic-domain controllable music ge…

cs.SD2024

Futga: Towards Fine-grained Music Understanding through Temporally-enhanced Generative Augmentation

Junda Wu, Zachary Novack, Amit Namburi +5

Existing music captioning methods are limited to generating concise global descriptions of short music clips, which fail to capture fine-grained musical characteristics and time-aw…

cs.SD2023

Equipping Pretrained Unconditional Music Transformers with Instrument and Genre Controls

Weihan Xu, Julian McAuley, Shlomo Dubnov +1

The ''pretraining-and-finetuning'' paradigm has become a norm for training domain-specific models in natural language processing and computer vision. In this work, we aim to examin…

cs.SD2023

CLIPSonic: Text-to-Audio Synthesis with Unlabeled Videos and Pretrained Language-Vision Models

Hao-Wen Dong, Xiaoyu Liu, Jordi Pons +5

Recent work has studied text-to-audio synthesis using large amounts of paired text-audio data. However, audio recordings with high-quality text annotations can be difficult to acqu…

cs.SD2022★ 3 cited

CLIPSep: Learning Text-queried Sound Separation with Noisy Unlabeled Videos

Hao-Wen Dong, Naoya Takahashi, Yuki Mitsufuji +2

Recent years have seen progress beyond domain-specific sound separation for speech or music towards universal sound separation for arbitrary sounds. Prior work on universal sound s…

cs.SD2022★ 4 cited

Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments

Ke Chen, Hao-Wen Dong, Yi Luo +4

Choral music separation refers to the task of extracting tracks of voice parts (e.g., soprano, alto, tenor, and bass) from mixed audio. The lack of datasets has impeded research on…

cs.SD2022★ 3 cited

Multitrack Music Transformer

Hao-Wen Dong, Ke Chen, Shlomo Dubnov +2

Existing approaches for generating multitrack music with transformer models have been limited in terms of the number of instruments, the length of the music segments and slow infer…

cs.SD2022

Deep Performer: Score-to-Audio Music Performance Synthesis

Hao-Wen Dong, Cong Zhou, Taylor Berg-Kirkpatrick +1

Music performance synthesis aims to synthesize a musical score into a natural performance. In this paper, we borrow recent advances in text-to-speech synthesis and present the Deep…

cs.CV2021★ 7 cited

An Empirical Evaluation of End-to-End Polyphonic Optical Music Recognition

Sachinda Edirisooriya, Hao-Wen Dong, Julian McAuley +1

Previous work has shown that neural architectures are able to perform optical music recognition (OMR) on monophonic and homophonic music with high accuracy. However, piano and orch…

cs.SD2021★ 1 cited

Towards Automatic Instrumentation by Learning to Separate Parts in Symbolic Multitrack Music

Hao-Wen Dong, Chris Donahue, Taylor Berg-Kirkpatrick +1

Modern keyboards allow a musician to play multiple instruments at the same time by assigning zones -- fixed pitch ranges of the keyboard -- to different instruments. In this paper,…

cs.SD2020★ 24 cited

MusPy: A Toolkit for Symbolic Music Generation

Hao-Wen Dong, Ke Chen, Julian McAuley +1

In this paper, we present MusPy, an open source Python library for symbolic music generation. MusPy provides easy-to-use tools for essential components in a music generation system…

cs.SD2020★ 7 cited

Automatic Melody Harmonization with Triad Chords: A Comparative Study

Yin-Cheng Yeh, Wen-Yi Hsiao, Satoru Fukayama +7

Several prior works have proposed various methods for the task of automatic melody harmonization, in which a model aims to generate a sequence of chords to serve as the harmonic ac…

cs.LG2019

On Output Activation Functions for Adversarial Losses: A Theoretical Analysis via Variational Divergence Minimization and An Empirical Study on MNIST Classification

Hao-Wen Dong, Yi-Hsuan Yang

Recent years have seen adversarial losses been applied to many fields. Their applications extend beyond the originally proposed generative modeling to conditional generative and di…

cs.LG2018★ 8 cited

Training Generative Adversarial Networks with Binary Neurons by End-to-end Backpropagation

Hao-Wen Dong, Yi-Hsuan Yang

We propose the BinaryGAN, a novel generative adversarial network (GAN) that uses binary neurons at the output layer of the generator. We employ the sigmoid-adjusted straight-throug…

cs.LG2018★ 33 cited

Convolutional Generative Adversarial Networks with Binary Neurons for Polyphonic Music Generation

Hao-Wen Dong, Yi-Hsuan Yang

It has been shown recently that deep convolutional generative adversarial networks (GANs) can learn to generate music in the form of piano-rolls, which represent music by binary-va…

eess.AS2017★ 149 cited

MuseGAN: Multi-track Sequential Generative Adversarial Networks for Symbolic Music Generation and Accompaniment

Hao-Wen Dong, Wen-Yi Hsiao, Li-Chia Yang +1

Generating music has a few notable differences from generating images and videos. First, music is an art of time, necessitating a temporal model. Second, music is usually composed…