8 citations · 17 across the 11 of their papers we have counts for
12 papers
Learning Jazz Pianist Style with Cross-Attention Conditioning
Drew Edwards, Akira Maezawa, Simon Dixon
Jazz pianists develop distinctive traits that experienced listeners can often identify within seconds, yet the features underlying this recognition resist formal description. We st…
Synthesis and editing of multi-instrument audio mixtures using scalar-quantised latents with MIDI Span conditioning
Sungkyun Chang, Keshav Bhandari, Simon Dixon +1
Music creation often involves iterative refinement, changing selected musical details while retaining the rest. To support such refinement, we introduce SpanSynth-Edit, a flow-matc…
SPHERE: Automatic Music Upmixing via Audio Language Model Post-Training with Spatial Heuristic Rewards
Zixun Guo, Calvin Murdock, Sanjeel Parekh +4
In this paper, we study the task of automatic music upmixing, wherein a system predicts spatial mixing parameters from a multi-stem recording. Different from existing methods that…
CMI-RewardBench: Evaluating Music Reward Models with Compositional Multimodal Instruction
Yinghao Ma, Haiwen Xia, Hewei Gao +9
While music generation models have evolved to handle complex multimodal inputs mixing text, lyrics, and reference audio, evaluation mechanisms have lagged behind. In this paper, we…
RUMAA: Repeat-Aware Unified Music Audio Analysis for Score-Performance Alignment, Transcription, and Mistake Detection
Sungkyun Chang, Simon Dixon, Emmanouil Benetos
This study introduces RUMAA, a transformer-based framework for music performance analysis that unifies score-to-performance alignment, score-informed transcription, and mistake det…
Foundation Models for Music: A Survey
Yinghao Ma, Anders Øland, Anton Ragni +39
In recent years, foundation models (FMs) such as large language models (LLMs) and latent diffusion models (LDMs) have profoundly impacted diverse sectors, including music. This com…