activity
20192026
most citedSynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separation

3 citations · 4 across the 5 of their papers we have counts for

collaborators

5 papers

eess.AS2026

Learning Input-Channel Permutation Equivariance for Multi-Channel Source Separation: Reducing Bleeding in Small Music Ensembles

Ruchi Pandey, Jaime Garcia-Martinez, Pablo Cabanas-Molero +5

Microphone bleed is a persistent challenge in small ensembles and orchestral recordings, where close microphones intended for individual instruments also capture leakage from nearb…

eess.AS2025

The Spheres Dataset: Multitrack Orchestral Recordings for Music Source Separation and Information Retrieval

Jaime Garcia-Martinez, David Diaz-Guerra, John Anderson +5

This paper introduces The Spheres dataset, multitrack orchestral recordings designed to advance machine learning research in music source separation and related MIR tasks within th…

eess.AS2024★ 3 cited

SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separation

Jaime Garcia-Martinez, David Diaz-Guerra, Archontis Politis +3

Recent advancements in music source separation have significantly progressed, particularly in isolating vocals, drums, and bass elements from mixed tracks. These developments owe m…

cs.SD2023

Pre-trained Spatial Priors on Multichannel NMF for Music Source Separation

Pablo Cabanas-Molero, Antonio J. Munoz-Montoro, Julio Carabias-Orti +1

This paper presents a novel approach to sound source separation that leverages spatial information obtained during the recording setup. Our method trains a spatial mixing filter us…

cs.SD2019★ 1 cited

A new definition of the distortion matrix for an audio-to-score alignment system

A. J. Muñoz-Montoro, P. Vera-Candeas, D. Suarez-Dou +1

In this paper we present a new definition of the distortion matrix for a score following framework based on DTW. The proposal consists of arranging the score information in a seque…