activity
20192024
most citedTowards Explainable Music Emotion Recognition: The Route via Mid-level Features

9 citations · 36 across the 12 of their papers we have counts for

collaborators

12 papers

eess.AS2024

DExter: Learning and Controlling Performance Expression with Diffusion Models

Huan Zhang, Shreyan Chowdhury, Carlos Eduardo Cancino-Chacón +3

In the pursuit of developing expressive music performance models using artificial intelligence, this paper introduces DExter, a new approach leveraging diffusion probabilistic mode…

cs.SD2024

Expressivity-aware Music Performance Retrieval using Mid-level Perceptual Features and Emotion Word Embeddings

Shreyan Chowdhury, Gerhard Widmer

This paper explores a specific sub-task of cross-modal music retrieval. We consider the delicate task of retrieving a performance or rendition of a musical piece based on a descrip…

cs.CL2023

Are we describing the same sound? An analysis of word embedding spaces of expressive piano performance

Silvan David Peter, Shreyan Chowdhury, Carlos Eduardo Cancino-Chacón +1

Semantic embeddings play a crucial role in natural language-based information retrieval. Embedding models represent words and contexts as vectors whose spatial configuration is der…

cs.SD2023

Decoding and Visualising Intended Emotion in an Expressive Piano Performance

Shreyan Chowdhury, Gerhard Widmer

Expert musicians can mould a musical piece to convey specific emotions that they intend to communicate. In this paper, we place a mid-level features based music emotion model in th…

cs.SD2021★ 4 cited

On Perceived Emotion in Expressive Piano Performance: Further Experimental Evidence for the Relevance of Mid-level Perceptual Features

Shreyan Chowdhury, Gerhard Widmer

Despite recent advances in audio content-based music emotion recognition, a question that remains to be explored is whether an algorithm can reliably discern emotional or expressiv…

cs.SD2021★ 6 cited

Tracing Back Music Emotion Predictions to Sound Sources and Intuitive Perceptual Qualities

Shreyan Chowdhury, Verena Praher, Gerhard Widmer

Music emotion recognition is an important task in MIR (Music Information Retrieval) research. Owing to factors like the subjective nature of the task and the variation of emotional…

cs.SD2021

Towards Explaining Expressive Qualities in Piano Recordings: Transfer of Explanatory Features via Acoustic Domain Adaptation

Shreyan Chowdhury, Gerhard Widmer

Emotion and expressivity in music have been topics of considerable interest in the field of music information retrieval. In recent years, mid-level perceptual features have been su…

cs.SD2020★ 3 cited

On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Game

Carlos Cancino-Chacón, Silvan Peter, Shreyan Chowdhury +2

A piece of music can be expressively performed, or interpreted, in a variety of ways. With the help of an online questionnaire, the Con Espressione Game, we collected some 1,500 de…

eess.AS2020★ 2 cited

Receptive-Field Regularized CNNs for Music Classification and Tagging

Khaled Koutini, Hamid Eghbal-Zadeh, Verena Haunschmid +3

Convolutional Neural Networks (CNNs) have been successfully used in various Music Information Retrieval (MIR) tasks, both as end-to-end models and as feature extractors for more co…

cs.SD2019★ 7 cited

Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNs

Khaled Koutini, Shreyan Chowdhury, Verena Haunschmid +2

We present CP-JKU submission to MediaEval 2019; a Receptive Field-(RF)-regularized and Frequency-Aware CNN approach for tagging music with emotion/mood labels. We perform an invest…

cs.SD2019★ 9 cited

Towards Explainable Music Emotion Recognition: The Route via Mid-level Features

Shreyan Chowdhury, Andreu Vall, Verena Haunschmid +1

Emotional aspects play an important part in our interaction with music. However, modelling these aspects in MIR systems have been notoriously challenging since emotion is an inhere…

cs.SD2019★ 5 cited

Two-level Explanations in Music Emotion Recognition

Verena Haunschmid, Shreyan Chowdhury, Gerhard Widmer

Current ML models for music emotion recognition, while generally working quite well, do not give meaningful or intuitive explanations for their predictions. In this work, we propos…