activity
20172022
most citedCross-Modal Music Retrieval and Applications: An Overview of Key Methodologies

64 citations · 94 across the 6 of their papers we have counts for

collaborators

9 papers

cs.AI20229 cited

Power Grid Congestion Management via Topology Optimization with AlphaZero

Matthias Dorfer, Anton R. Fuxjäger, Kristian Kozak +2

The energy sector is facing rapid changes in the transition towards clean renewable sources. However, the growing share of volatile, fluctuating renewable generation such as wind o…

cs.LG2019

The Receptive Field as a Regularizer in Deep Convolutional Neural Networks for Acoustic Scene Classification

Khaled Koutini, Hamid Eghbal-zadeh, Matthias Dorfer +1

Convolutional Neural Networks (CNNs) have had great success in many machine vision as well as machine audition tasks. Many image recognition network architectures have consequently…

cs.IR20194 cited

Learning Soft-Attention Models for Tempo-invariant Audio-Sheet Music Retrieval

Stefan Balke, Matthias Dorfer, Luis Carvalho +2

Connecting large libraries of digitized audio recordings to their corresponding sheet music images has long been a motivation for researchers to develop new cross-modal retrieval s…

cs.IR201964 cited

Cross-Modal Music Retrieval and Applications: An Overview of Key Methodologies

Meinard Müller, Andreas Arzt, Stefan Balke +2

There has been a rapid growth of digitally available music data, including audio recordings, digitized images of sheet music, album covers and liner notes, and video clips. This hu…

cs.SD2018

Attention as a Perspective for Learning Tempo-invariant Audio Queries

Matthias Dorfer, Jan Hajič, Gerhard Widmer

Current models for audio--sheet music retrieval via multimodal embedding space learning use convolutional neural networks with a fixed-size window for the input audio. Depending on…

cs.AI2018

Learning to Listen, Read, and Follow: Score Following as a Reinforcement Learning Game

Matthias Dorfer, Florian Henkel, Gerhard Widmer

Score following is the process of tracking a musical performance (audio) with respect to a known symbolic representation (a score). We start this paper by formulating score followi…