Curriculum Audiovisual Learning
arXiv:2001.09414
Abstract
Associating sound and its producer in complex audiovisual scene is a challenging task, especially when we are lack of annotated training data. In this paper, we present a flexible audiovisual model that introduces a soft-clustering module as the audio and visual content detector, and regards the pervasive property of audiovisual concurrency as the latent supervision for inferring the correlation among detected contents. To ease the difficulty of audiovisual learning, we propose a novel curriculum learning strategy that trains the model from simple to complex scene. We show that such ordered learning procedure rewards the model the merits of easy training and fast convergence. Meanwhile, our audiovisual model can also provide effective unimodal representation and cross-modal alignment performance. We further deploy the well-trained model into practical audiovisual sound localization and separation task. We show that our localization model significantly outperforms existing methods, based on which we show comparable performance in sound separation without referring external visual supervision. Our video demo can be found at https://youtu.be/kuClfGG0cFU.
References in corpus (3)
Cited by in corpus (12)
- Discriminative Sounding Objects Localization via Self-supervised Audiovisual Matching
- Into the Wild with AudioScope: Unsupervised Audio-Visual Separation of On-Screen Sounds
- Ambient Sound Helps: Audiovisual Crowd Counting in Extreme Conditions
- Multiple Sound Sources Localization from Coarse to Fine
- Visually-Guided Sound Source Separation with Audio-Visual Predictive Coding
- Audio-visual Representation Learning for Anomaly Events Detection in Crowds
- Cross-Task Transfer for Geotagged Audiovisual Aerial Scene Recognition
- Unsupervised Sound Localization via Iterative Contrastive Learning
- Cyclic Co-Learning of Sounding Object Visual Grounding and Sound Separation
- Enhancing Sound Source Localization via False Negative Elimination
- Statistical Measures For Defining Curriculum Scoring Function
- Do We Need Sound for Sound Source Localization?