182 citations
- H. Moya-Cessa2 profiles7 · h 31
- R. Ju'arez-Amaro4 · h 3
- A. Zúñiga-Segundo3 · h 3
- O. A. Agustín-Aquino3 · h 4
- Octavio A. Agustín-Aquino3 · h 2
- R. Juárez-Amaro3 · h 2
- E. Lluis-Puebla2 · h 4
- F. Soto‐Eguibar2 · h 14
- G. Mazzola2 · h 20
- Ignacio Arroyo-Fernández2 profiles2 · h 4
- J. Arias-Valero2 · h 3
- J. M. Vargas-Mart'inez2 · h 3
- National Institute of Astrophysics, Optics and ElectronicsMX7 papers
- Universidad Nacional Autónoma de MéxicoMX4 papers
- Centro Universitario Luis Donaldo Colosio MurrietaMX2 papers
- University of MinnesotaUS2 papers
- Centro de Estudios Universitarios Adolfo López MateosMX1 paper
- Centro de Investigaciones en OpticaMX1 paper
- Instituto Nacional de Enfermedades RespiratoriasMX1 paper
- National Radio Astronomy ObservatoryUS1 paper
- National University of Ireland, MaynoothIE1 paper
- Oldham CouncilGB1 paper
- Universidad de GuanajuatoMX1 paper
- Universitat Autònoma de BarcelonaES1 paper
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3 papers · 1 filter
math.HO2021★ 2 cited
Musicological, computational and conceptual aspects of first-species counterpoint theory
Juan Sebastián Arias-Valero, Octavio Alberto Agustín-Aquino, Emilio Lluis-Puebla
We re-create the essential results of a 1989 unpublished article by Mazzola and Muzzulini that contains musicological aspects of a first-species counterpoint model. We include a su…
math.HO2018★ 3 cited
Modulation in Tetradic Harmony and its Role in Jazz
Octavio A. Agustín-Aquino, Guerino Mazzola
After a quick exposition of Mazzola's quantum modulation model for the so-called triadic interpretation of the major scale within the equal temperament, we study the model for the…
math.HO2016★ 5 cited
Contrapuntal Aspects of the Mystic Chord and Scriabin's Piano Sonata No. 5
Octavio A. Agustín-Aquino, Guerino Mazzola
We present statistical evidence for the importance of the "mystic chord" in Scriabin's Piano Sonata No. 5, Op. 53, from a computational and mathematical counterpoint perspective. M…